| 00:00:38 | [ Music ]
[ music ]
[ music ]
>> all personnel,
the next scheduled parole
hearing for prisoner gilmour
will take place at 07:50.
|
| 00:02:54 | Warden william smithers,
report to level a,
conference room.
|
| 00:03:04 | >> Lt. Lenina Huxley: Mellow
greetings,
warden william smithers.
|
| 00:03:07 | >> Be well,
lieutenant lenina huxley.
|
| 00:03:10 | >> As it is a beautiful
monday morning, and as
my duty log irrationally
requires it, I'm hereby
querying you on the
prison population update.
|
| 00:03:18 | Does the tedium continue?
|
| 00:03:20 | >> Your earnest questioning
is as amusing as
it is irrelevant.
|
| 00:03:23 | The prisoners arre ice cubes.
|
| 00:03:24 | They never move.
|
| 00:03:26 | >> I find this lack
of stimulus to be
truly disappointing,
don't you think?
|
| 00:03:30 | >> I try not to,
however, you're young,
think all you want.
|
| 00:03:33 | Things don't happen anymore,
we've taken care of all that.
|
| 00:03:36 | I'll fiber-op you back
after the parole hearings.
|
| 00:03:39 | Have a peachy day, lieutenant.
|
| 00:03:40 | Be well.
|
| 00:03:42 | >> Be well.
|
| 00:03:42 | vector 137 upcoming,
santa monica boulevard.
|
| 00:03:51 | >> computer: RETINA CODING
Accepted.
|
| 00:03:54 | Warden william smithers,
be well.
|
| 00:03:56 | >> Go on.
|
| 00:04:05 | >> Self-drive on.
|
| 00:04:06 | >> Self-drive engaged.
|
| 00:04:07 | >> Huxley, lenina, coding on.
|
| 00:04:09 | >> No police presence is
requested in the city
at this time.
|
| 00:04:13 | Report to the station.
|
| 00:04:14 | >> Oh, boy, how exciting.
|
| 00:04:20 | [ Music ]
>> Edgar Friendly: That's it.
|
| 00:04:52 | Food, glorious food.
|
| 00:04:54 | There'll be another one
in about 12 hours.
|
| 00:04:57 | God, I'd love to
hate this place.
|
| 00:04:59 | >> Carl: There's not enough
of us, friendly.
|
| 00:05:01 | >> That doesn't really matter
anymore, does it, carl?
|
| 00:05:03 | People are hungry.
|
| 00:05:04 | We've nothing left to lose.
|
| 00:05:19 | >> Greetings, erwin.
|
| 00:05:20 | >> Erwin: Lovely lenina.
|
| 00:05:22 | Greetings and salutations,
welcome to the emergency
line of the san angeles
police department.
|
| 00:05:28 | If you prefer an automated
response, press one now.
|
| 00:05:31 | >> Be well, lieutenant.
|
| 00:05:35 | >> Mellow greetings,
lenina huxley.
|
| 00:05:38 | >> Let me guess,
all is serene.
|
| 00:05:40 | >> On the contrary,
.
|
| 00:05:42 | There was a defacement
of public buildings.
|
| 00:05:45 | Walls smudged with
scandalous graffiti.
|
| 00:05:49 | >> Really?
|
| 00:05:50 | Brutal.
|
| 00:05:51 | Why wasn't there an
all-cars notify"?
|
| 00:05:54 | >> Chief George Earle: Because
waere ths no need
to create widespread panic.
|
| 00:05:58 | Lieutenant huxley,
I monitored your
disheartening and distressing
comments to the warden
this morning.
|
| 00:06:04 | Do you really long for
chaos and disharmony?
|
| 00:06:08 | Your fascination with
the vulgar 20th century
seems to be affecting
your better judgment.
|
| 00:06:12 | You realize you're setting
a bad example for other
officers and sworn personnel?
|
| 00:06:16 | >> Thank you for the attitude
readjustment, chief earle.
|
| 00:06:19 | Info assimilated.
|
| 00:06:28 | Sanctimonious
a 'soo voce' violation of
the verbal-morality statute.
|
| 00:06:36 | >> Thank you.
|
| 00:06:36 | >> Yes sir, it's coming up
on the screen, a bunch of--
>> Alfredo Garcia: That
was tense.
|
| 00:06:45 | >> That was tense?
|
| 00:06:47 | >> Yes.
|
| 00:06:47 | >> Tell me something,
garcia, don't you
get bored code-tracing
perps who break curfew
and tell dirty jokes?
|
| 00:06:53 | >> Actually, no, I find
my job deeply fulfilling.
|
| 00:06:56 | I just cannot get over
the reality of this office,
lenina huxley.
|
| 00:07:00 | You're still addicted
to the 20th century,
high from its harshness,
buzzed by its brutality.
|
| 00:07:06 | Holy smokes!
|
| 00:07:08 | I mean, is there
anything in this office
which doesn't violate
contraband ordinance 22?
|
| 00:07:12 | >> Only you, alfredo garcia.
|
| 00:07:15 | Don't you ever want
something to happen?
|
| 00:07:19 | >> Goodness, no.
|
| 00:07:21 | >> I knew you were
gonna say that.
|
| 00:07:25 | What I wouldn't give
for some action.
|
| 00:07:38 | simon phoenix,
one of our first and
most illustrious members.
|
| 00:07:45 | Allow me to welcome you
to your parole hearing.
|
| 00:07:48 | Let's get this one over quick.
|
| 00:07:54 | Twenty-nine years ago,
the parole system,
as you know it--
>> [ speaking spanish ]
>> was rendered obsolete.
|
| 00:08:01 | >> [ Speaking spanish ]
>> federal statute 537-29--
>> [ speaking spanish ]
>> stop it!
|
| 00:08:14 | Do you have anything
fresh to say on your behalf?
|
| 00:08:20 | I thought not.
|
| 00:08:24 | >> Yeah, I do.
|
| 00:08:28 | Teddy bear.
|
| 00:08:46 | >> How'd you know the
password to the cuffs?
|
| 00:08:49 | >> I wish I knew.
|
| 00:08:50 | "
you hoo!
|
| 00:09:09 | Warden, let's get
this over quickly.
|
| 00:09:20 | >> Retina coding accepted,
warden william smithers.
|
| 00:09:24 | Be well.
|
| 00:09:26 | >> Yeah, you too!
|
| 00:10:18 | much
THE KENMORE ELITE HE5t WASHER?
|
| 00:10:19 | How about enough water and energy savings
to pay for the dryer.
|
| 00:10:25 | Another reason whymore americans choose
energy star ratedkenmore appliances
than any other brand.
|
| 00:10:46 | my yearning for your comfort began hours
ago,
but for the cashier's sake, let's be coy.
|
| 00:10:52 | Let's pretend this was all spontaneous.
|
| 00:10:55 | Oh, pleasure to meet you, caramel.
|
| 00:10:59 | Life's better the milky way.
|
| 00:11:01 | ÑÑÑÑñ/?4r=
If you don't always like the taste of vegetables.
|
| 00:11:21 | Good thing v8 v-fusion juice gives you a
serving
of vegetables hidden by a serving of fruit.
|
| 00:11:28 | V8. what's your number?
|
| 00:11:31 | /%
[ sniffing ]
..
|
| 00:12:19 | New ship smell!
|
| 00:12:22 | [ Band plays
"anchors aweigh" ]
one-eight-seven,
northwest quadrant.
|
| 00:13:43 | One-eight-seven, northwest
quadrant-- one-eight-seven--
>> oh, my--
>> Lamb: I don't believe it!
|
| 00:13:52 | >> Northwest quadrant, 187.
|
| 00:13:57 | >> Garcia: What's a 187?
|
| 00:13:58 | >> Lt. Huxley: I don't know.
|
| 00:13:59 | >> Cryo-prison, level 6.
|
| 00:14:02 | Identify code 187.
|
| 00:14:07 | Mdk.
|
| 00:14:09 | Murder, death, kill.
|
| 00:14:11 | Murder, death, kill.
|
| 00:14:12 | Murder, death, kill.
|
| 00:14:14 | >> Murder, death, kill!
|
| 00:14:15 | >> Last recorded offense,
september 25, 2010.
|
| 00:14:18 | Initiate search,
confirming location.
|
| 00:14:21 | Cryo-prison, level 6.
|
| 00:14:23 | officer
john d'argent, guard.
|
| 00:14:28 | Officer alfred pamela, guard.
|
| 00:14:29 | Tracking.
|
| 00:14:31 | Live transmission
diagnostic check,
warden william smithers.
|
| 00:14:34 | severe eye trauma,
ruptured spleen,
punctured lung, broken rib,
internal bleeding.
|
| 00:14:41 | Condition critical.
|
| 00:14:42 | Vital signs failing.
|
| 00:14:44 | Imminent death.
|
| 00:14:49 | Subject deceased-- 187.
|
| 00:14:51 | Warden william smithers,
BORN FEBRUARY 14th, 1967,
DIED AUGUST 4th, 2032.
|
| 00:15:00 | >> Chief Earle: What's the
matter with all of you?
|
| 00:15:02 | >> The cryo-prison, sir,
three non-sanctioned
life terminations.
|
| 00:15:05 | >> Do you wish to
assign a coroner?
|
| 00:15:07 | >> Murder death kills!
|
| 00:15:09 | Three mdks!
|
| 00:15:14 | >> Access for me the
cryo-pen's morning hearing
schedule, and then display
for me the list of people
interviewed for parole.
|
| 00:15:19 | >> Accessing cryo-prison
processing.
|
| 00:15:21 | Restricted information.
|
| 00:15:22 | Cocteau cryo-prison,
morning hearing schedule.
|
| 00:15:25 | AUGUST 4th,
Active file, 7:00 a.m.
|
| 00:15:28 | Hyde, quentin.
|
| 00:15:29 | 8:15 - Peterson, scott.
|
| 00:15:30 | 7:30 - Phoenix, simon.
|
| 00:15:32 | >> It's phoenix!
|
| 00:15:33 | >> Who?
|
| 00:15:34 | >> Simon phoenix.
|
| 00:15:36 | >> Phoenix simon, accessing--
>> I knew him.
|
| 00:15:40 | He's evil in a way
you've never read about.
|
| 00:15:43 | He's a criminal,
the likes of which you
have never seen.
|
| 00:15:47 | >> Hold that thought,
zachary lamb.
|
| 00:15:50 | Simon phoenix's code, now.
|
| 00:15:52 | >> Access code for
phoenix, simon.
|
| 00:15:55 | >> No code found.
|
| 00:15:56 | >> L7, you're not coming
down with another virus,
are you?
|
| 00:15:59 | >> Of course not.
|
| 00:16:00 | >> You don't get it,
lenina huxley.
|
| 00:16:02 | Phoenix isn't coded.
|
| 00:16:03 | He was chilled back
DURING THE 20th,
Before they started
lo-jacking everybody.
|
| 00:16:07 | Declared his own kingdom
in south central la.
|
| 00:16:10 | In a bad time,
he was the worst.
|
| 00:16:12 | >> Emergency code 187.
|
| 00:16:14 | Emergency code 187.
|
| 00:16:17 | Locating stopped code.
|
| 00:16:20 | Murder death kill.
|
| 00:16:22 | Murder death kill.
|
| 00:16:23 | Location - cryo-prison,
parking area, cryo-prison,
level 6.
|
| 00:16:29 | >> No.
|
| 00:16:30 | >> Main cryo-prison
parking zone.
|
| 00:16:32 | Enhancing image.
|
| 00:16:33 | Tracking dr. mostow.
|
| 00:16:35 | >> Oh, my.
|
| 00:16:36 | >> One-eight-seven, deceased.
|
| 00:16:39 | Do you wish to
assign a coroner?
|
| 00:16:41 | >> Tell me, l7,
is the doctor's conveyance
still in the parking zone?
|
| 00:16:45 | >> The answer is no.
|
| 00:16:47 | Car missing.
|
| 00:16:48 | Doctor's conveyance
is not in parking zone,
it is in motion.
|
| 00:16:54 | >> Locate precise code-fix
on doctor's conveyance.
|
| 00:16:57 | >> Fixing location.
|
| 00:16:58 | Beverly hills.
|
| 00:17:00 | Robertson.
|
| 00:17:01 | Doheny.
|
| 00:17:02 | Beverly drive.
|
| 00:17:04 | Doctor's vehicle
..
|
| 00:17:08 | Approaching the corner
of wilshire and
santa monica boulevard.
|
| 00:17:12 | >> Glorious.
|
| 00:17:14 | >> Doctor's vehicle
has been code fixed.
|
| 00:17:17 | >> Ah, fine work.
|
| 00:17:18 | All nearby units,
protect serve,
wilshire and santa monica.
|
| 00:17:22 | >> Unit 12, protect serve.
|
| 00:17:23 | >> Apprehend fugitive.
|
| 00:17:25 | >> Proceed with extreme
assertiveness.
|
| 00:17:28 | >> Doctor's vehicle
has been code-fixed.
|
| 00:17:30 | Approaching the
corner of wilshire
and santa monica boulevard.
|
| 00:17:53 | >> man: I DON'T KNOW,
Lately I just don't feel
like there's anything
special about me.
|
| 00:17:57 | >> computer: YOU ARE AN
Incredibly sensitive man,
who inspires joy-joy feelings
in all those around you.
|
| 00:18:04 | >> Phoenix: Get out of here!
|
| 00:18:05 | >> Excuse me, citizen.
|
| 00:18:07 | I'm sorry.
|
| 00:18:09 | >> Greetings, citizen!
|
| 00:18:11 | How are you feeling
on this glorious day?
|
| 00:18:15 | You look great today!
|
| 00:18:19 | >> Ha, ha, ha.
|
| 00:18:20 | Yeah, well, I feel good too.
|
| 00:18:23 | >> Angeles information
network, automated banking,
city of san angeles.
|
| 00:18:27 | >> Damn, I'm possessed.
|
| 00:18:28 | I wonder if I can play
the accordion, too.
|
| 00:18:32 | >> File code accepted.
|
| 00:18:34 | Friendly, edgar.
|
| 00:18:36 | Code level 60.
|
| 00:18:38 | Listed offenses:
Civil unrest activity.
|
| 00:18:40 | >> voice: DON'T YOU HEAR
A thought repeating
in that brain of yours?
|
| 00:18:44 | The name friendly, edgar?
|
| 00:18:46 | Edgar friendly.
|
| 00:18:48 | Don't you have a job to do?
|
| 00:18:51 | Don't you have
someone to kill?
|
| 00:18:54 | Someone to kill?
|
| 00:18:56 | Someone to kill?
|
| 00:19:14 | noun,
portable firearm.
|
| 00:19:16 | This device was widely
utilized in the urban wars
of the late 20th century.
|
| 00:19:20 | "
>> look, I don't need
a history lesson.
|
| 00:19:25 | Come on, how,
where the damn guns?
|
| 00:19:27 | >> You are fined one credit
for a violation of the
verbal-morality statute.
|
| 00:19:31 | >> [ Deleted ] you.
|
| 00:19:33 | >> Your repeated violation
of the verbal morality
statute has caused me to
notify the san angeles
police department.
|
| 00:19:39 | Please remain where you
are for your reprimand.
|
| 00:19:41 | >> Yeah, right.
|
| 00:19:47 | The [ deleted ] are fast,
too.
|
| 00:19:49 | >> You are fined one credit
for violation of the
verbal-morality statute.
|
| 00:19:53 | >> Protect serve in place.
|
| 00:19:54 | Four minutes,
fifteen seconds lapse.
|
| 00:20:00 | >> Maniac is imminent.
|
| 00:20:01 | Request advice.
|
| 00:20:03 | >> With a firm tone of
voice, demand maniac lie
down with hands behind back.
|
| 00:20:10 | >> Simon phoenix!
|
| 00:20:12 | Lie down with your
hands behind your back!
|
| 00:20:16 | >> What's this?
|
| 00:20:17 | Six of you?
|
| 00:20:18 | Such nice, tidy uniforms.
|
| 00:20:20 | Oh, I'm so scared.
|
| 00:20:22 | What, you guys don't
have sarcasm anymore?
|
| 00:20:28 | >> Maniac has responded
with a scornful remark.
|
| 00:20:30 | >> Approach and repeat
ultimatum in an even
firmer tone of voice.
|
| 00:20:34 | "
>> simon phoenix, lie down
on the ground, or else!
|
| 00:20:54 | >> Anti-graffiti activation
program activated.
|
| 00:20:58 | Aborted.
|
| 00:21:00 | Human presence detected.
|
| 00:21:01 | Safety override code accepted.
|
| 00:21:04 | >> Lucky number seven.
|
| 00:21:07 | Oh.
|
| 00:21:20 | >> Olay!
|
| 00:21:22 | >> We're police officers!
|
| 00:21:24 | We're not trained to handle
this kind of violence!
|
| 00:21:34 | >> Hey, wait for me!
|
| 00:21:40 | >> Ahhh!
|
| 00:21:47 | >> Come on.
|
| 00:21:57 | Stupid.
|
| 00:22:11 | Simon says,
"everybody sing"
and the home of the brave.
|
| 00:22:22 | Play ball!
|
| 00:22:31 | >> We've lost every
camera for six blocks.
|
| 00:22:35 | Go to century city, 1200
millimeters.
|
| 00:22:46 | He's going for the
vehicle's battery core.
|
| 00:22:48 | It's pure capacitance gel.
|
| 00:23:00 | >> Dr. Raymond Cocteau: The
problem is not the
defacement of public
buildings or the noise
pollution caused by
the exploding devices.
|
| 00:23:07 | Allow me to explain.
|
| 00:23:09 | The real problem lies in
the man whose initials mark
the detonating graffiti
on the streets of
our peaceful city.
|
| 00:23:17 | ",
mr. edgar friendly.
|
| 00:23:24 | For a sadly extended
period of time,
we in san angeles have
been plagued by a pack
of subterranean hooligans.
|
| 00:23:32 | You will come to
"
men and women who have
left the comfort of
our society only to
spew hostility at
the very bosom that
they have relinquished.
|
| 00:23:44 | There was a time when
we used to look upon these
scraps as rather pathetic
and relatively harmless.
|
| 00:23:51 | Now, they have a leader.
|
| 00:23:53 | friendly seems
relentless in his ambition
to infect our harmony
with his venom.
|
| 00:24:00 | He must, of course,
be stopped.
|
| 00:24:04 | This radical terrorist
friendly,
must not be allowed
to undermine our safety.
|
| 00:24:13 | Safety above all.
|
| 00:24:15 | I expect your trust,
confidence and certitude.
|
| 00:24:18 | If you'll excuse me.
|
| 00:24:23 | >> Associate Bob: cocteau,
a cryo-con has
effected self-release
from the penitentiary.
|
| 00:24:29 | It's quite horrific.
|
| 00:24:30 | Murder death kills,
all categories of chaos.
|
| 00:24:33 | >> Enhance your calm.
|
| 00:24:34 | Enhance you're--
"be well" them for me.
|
| 00:24:45 | Get me captain
george earle, immediately.
|
| 00:24:50 | >> It was just-- I mean,
it was so-- how can a man
be so blatantly sadistic?
|
| 00:24:58 | It was fun for him.
|
| 00:24:59 | >> I want you to do
everything in your
power to snare this
agent of destruction.
|
| 00:25:04 | You have my utmost
confidence.
|
| 00:25:07 | >> It will be done,
dr. cocteau.
|
| 00:25:10 | Be well.
|
| 00:25:15 | >> Utmost confidence.
|
| 00:25:19 | >> Everything in our power.
|
| 00:25:25 | What else is there?
|
| 00:25:28 | >> Zachary lamb, how was
the fiendish simon phoenix
APPREHENDED BACK IN THE 20th?
|
| 00:25:34 | >> Lamb: Twelve-state
manhunt, satellite
surveillance, a video bite
"
none of them worked.
|
| 00:25:44 | In the end,
it took just one man,
one cop, john spartan.
|
| 00:25:50 | >> John spartan?
|
| 00:25:52 | >> That's right.
|
| 00:25:54 | >> They called him
"
>> spartan file 98345, lapd.
|
| 00:26:00 | Spartan file 98761c, lapd.
|
| 00:26:08 | >> Are you sure
this is real life?
|
| 00:26:11 | >> Barely.
|
| 00:26:12 | Spartan is a legend.
|
| 00:26:13 | I've been doing a
historical study.
|
| 00:26:15 | For 1,000 arrests
over three years,
all authentic criminals.
|
| 00:26:19 | >> There was a lot
more business back then.
|
| 00:26:22 | >> How can you justify
destroying a $7 million
mini mall to rescue a girl
whose ransom is only $25,000?
|
| 00:26:27 | >> girl: FORGET YOU, LADY.
|
| 00:26:28 | >> Spartan: Good answer.
|
| 00:26:31 | >> This is your
recommendation?
|
| 00:26:33 | The demolition man's
an animal.
|
| 00:26:36 | >> He's clearly the man
for a job such as this.
|
| 00:26:39 | You could reinstate him.
|
| 00:26:41 | >> He's a muscle-bound
grotesque, who hasn't worn
a shield in 40 years.
|
| 00:26:46 | >> Simon phoenix is an
old-fashioned criminal.
|
| 00:26:49 | We need an old-fashioned cop.
|
| 00:26:55 | [ Music ]
>> cryo-flex 312, 618
is ready for routine
maintenance and inspection.
|
| 00:27:24 | >> Transporting cryo
prisoner, spartan, john.
|
| 00:27:38 | >> John spartan, 5864.
|
| 00:27:40 | Pulmonary activity
approaching normal.
|
| 00:27:43 | Body temperature, 63 percent
and rising.
|
| 00:27:48 | Bio-link engaged.
|
| 00:27:51 | Laser defibrillation
sequence started.
|
| 00:27:54 | Plasma transfer
in 15 seconds.
|
| 00:27:58 | Plasma transfer, 10
seconds, 8 seconds, 6 seconds,
plasma transfer complete.
|
| 00:28:09 | Mtl complete.
|
| 00:28:12 | [ Music ]
okay, now here's our holiday gift list.
|
| 00:28:37 | Aww, not the mall.
|
| 00:28:38 | .. if you do the
shipping.
|
| 00:28:41 | Shipping's a hassle.i'll go to the mall.
|
| 00:28:45 | Hey.
|
| 00:28:45 | Hi.
|
| 00:28:46 | You know, holiday shipping's easy with priority
mail
flat rate boxes fromthe postal service.
|
| 00:28:50 | If it fits, it ships anywhere in the country
for a low flat rate.
|
| 00:28:54 | Yea, I know.
|
| 00:28:56 | Oh, you're good.
|
| 00:28:57 | Good luck!
|
| 00:28:58 | Priority mail flat rate shipping starts at
95
only from the postal service.
|
| 00:29:02 | A simpler way to ship.
|
| 00:29:05 | the
third-largest
car insurance company in the nation.
|
| 00:29:06 | But, it's not like we're kicking back, now,
havin' a cuppa tea.
|
| 00:29:10 | takes lots of sweat to become that
big.
|
| 00:29:11 | 'course, geckos don't literally
..
|
| 00:29:13 | ..
|
| 00:29:15 | ..but I do work hard, mind you.
|
| 00:29:20 | of
business:
"
that's why geico is consistently
rated excellent or better in terms of financial
strength.
|
| 00:29:25 | Gecko vo: second rule:
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>> Lt. Huxley: This is
within the powers of
the police charter, sir.
|
| 00:32:51 | He can be released
on limited parole and
reinstated to active duty.
|
| 00:32:54 | >> Garcia: It's not enough
TO COLLECT THE '90s,
You have to bring
them back to life.
|
| 00:32:58 | cocteau said
everything within our power.
|
| 00:33:00 | I can't think
of a better idea.
|
| 00:33:02 | >> That still doesn't
mean it's a good one.
|
| 00:33:04 | This man comes from
a dissimilar method
of law enforcement.
|
| 00:33:08 | I'm not sure he's
any different than
simon phoenix, himself.
|
| 00:33:11 | >> Detective?
|
| 00:33:14 | Detective, I am lieutenant
lenina huxley.
|
| 00:33:18 | The year is 2032.
|
| 00:33:20 | Now, the reason that
you have been released is--
>> Spartan: How long
have I been under?
|
| 00:33:26 | >> Thirty-six years.
|
| 00:33:31 | >> I had a wife.
|
| 00:33:33 | What happened to my wife?
|
| 00:33:36 | >> Her light was extinguished
in the big one of 2010.
|
| 00:33:43 | .. she died
in an earthquake.
|
| 00:33:49 | Theearthquake.
|
| 00:33:53 | >> I had a daughter.
|
| 00:33:56 | I made a promise.
|
| 00:33:57 | What happened to her?
|
| 00:33:58 | >> John spartan.
|
| 00:33:59 | I am chief of police
george earle.
|
| 00:34:01 | We didn't thaw you out
for a family reunion.
|
| 00:34:04 | Consider it fortunate
that the lieutenant even
bothered to do a probe
on your wife.
|
| 00:34:09 | This is about you and
the cryo-con simon phoenix.
|
| 00:34:11 | >> What?
|
| 00:34:12 | >> This morning,
simon phoenix escaped
from this cryo-facility.
|
| 00:34:16 | We've had 11
murder death kills so far.
|
| 00:34:18 | You see, we have become a
society of peace, loving,
and-and understanding and
we are, quite frankly,
not equipped to deal
with this situation.
|
| 00:34:27 | >> There have been no
deaths of unnatural causes
in san angeles
in the last 16 years.
|
| 00:34:32 | >> Where?
|
| 00:34:33 | >> The santa barbara,
los angeles, san diego
metroplex were merged in 2011.
|
| 00:34:36 | You are in the center of
what used to be los angeles.
|
| 00:34:40 | >> That's great.
|
| 00:34:42 | You, get me a marlboro.
|
| 00:34:44 | >> Yes, of course,
right away.
|
| 00:34:47 | What's a marlboro?
|
| 00:34:48 | >> It's a cigarette.
|
| 00:34:49 | Any cigarette.
|
| 00:34:52 | >> Ah, smoking is not
good for you, and has been
deemed that anything
not good for you is bad.
|
| 00:34:57 | Hence, illegal.
|
| 00:34:58 | Alcohol, caffeine,
contact sports, meat--
>> are you [ deleted ] me?
|
| 00:35:02 | >> computer: JOHN SPARTAN,
You are fined one credit
for violation of the
verbal-morality statute.
|
| 00:35:07 | >> What the hell is that?
|
| 00:35:09 | >> John spartan,
you are fined one
credit for violating--
>> bad language, chocolate,
gasoline, uneducational toys
and anything spicy.
|
| 00:35:15 | Abortion is also illegal,
but then again,
so is pregnancy if you
don't have a license.
|
| 00:35:19 | >> Caveman, let's finish
with all the rip van winkle
and get moving.
|
| 00:35:24 | phoenix has
risen from the ashes.
|
| 00:35:26 | >> Un-huh.
|
| 00:35:28 | I tracked that dirt bag
for two years, and when i
finally bring him down
you turn me into an ice cube
for my trouble.
|
| 00:35:34 | Thanks, but no thanks.
|
| 00:35:36 | >> The conditions of your
parole are full reinstatement
into the sapd,
and immediate assignment
to the apprehension
of simon phoenix.
|
| 00:35:44 | .. you can go back
into cryo-stasis.
|
| 00:35:48 | >> Not many people get a
second chance, john spartan.
|
| 00:35:56 | protect service on
THIS UPDATE, AUGUST 4th, 2032.
|
| 00:36:00 | >> Here you go.
|
| 00:36:01 | Any new information
on simon phoenix?
|
| 00:36:03 | >> There is nothing,
lenina huxley.
|
| 00:36:06 | Where's your john spartan?
|
| 00:36:08 | >> Oh, he went to
the bathroom.
|
| 00:36:10 | I-i guess he got
all thawed out.
|
| 00:36:12 | >> Oh.
|
| 00:36:14 | Sir, I formally
convey my presence.
|
| 00:36:20 | >> How are you doing?
|
| 00:36:22 | >> We are not used to
physical-contact greetings.
|
| 00:36:25 | >> Look, I don't know
if you guys know it,
..
|
| 00:36:29 | You're out of toilet paper.
|
| 00:36:32 | >> Pap--?
|
| 00:36:33 | Did you say "toilet paper"?
|
| 00:36:35 | >> Oh, they used handfuls
of wadded paper
BACK IN THE 20th.
|
| 00:36:43 | >> I'm happy that
you're happy, but the
place where you're supposed
to have the toilet paper,
you've got this little shelf
with three seashells on it.
|
| 00:36:51 | >> He doesn't know how to
use the three seashells.
|
| 00:36:58 | I can see how that
could be confusing.
|
| 00:37:00 | >> Lamb: I don't believe it.
|
| 00:37:01 | Is that you, spartan?
|
| 00:37:04 | >> No.
|
| 00:37:05 | Zach?
|
| 00:37:07 | Zach lamb?
|
| 00:37:09 | What happened to you?
|
| 00:37:11 | >> I got older.
|
| 00:37:14 | >> My god.
|
| 00:37:15 | I remember when you were
a snot-nose rookie pilot.
|
| 00:37:19 | >> They finally grounded me.
|
| 00:37:20 | >> [ Deleted ] you were
a damn good flyer.
|
| 00:37:22 | >> You're fined two credits
for violation of the
verbal-morality statute.
|
| 00:37:28 | >> I'll be right back.
|
| 00:37:29 | >> They seem to be friends,
yet he speaks to him
in the most profane manner.
|
| 00:37:33 | >> Well, if you had read
my study, you would
know that this is how
insecure heterosexual males
used to bond.
|
| 00:37:39 | >> I knew that.
|
| 00:37:40 | >> Waiting for commands.
|
| 00:37:41 | Voice check, lenina huxley.
|
| 00:37:43 | >> Unfortunately,
simon phoenix was not coded.
|
| 00:37:45 | While you were sleeping,
everyone in the city
was installed code.
|
| 00:37:49 | It was a brilliant idea
cocteau,
that an organically,
bio-engineered microchip
be sewn into the skin.
|
| 00:37:54 | Sensors all over the city
can zero in on anyone
at any time.
|
| 00:37:57 | >> I can't even conceive
a visual of what you
police officers did
before it was developed.
|
| 00:38:01 | >> We worked for a living.
|
| 00:38:03 | This fascist crap
makes me want to puke.
|
| 00:38:04 | >> What do you think you're
scratching, caveman?
|
| 00:38:07 | You really think we'd let
you go without control?
|
| 00:38:09 | Your code was implanted
the second you thawed.
|
| 00:38:12 | >> Why didn't you just
shove a leash up my ass?
|
| 00:38:14 | >> John spartan,
you are fined one credit
for violation of the--
>> dirty meat-eater!
|
| 00:38:18 | No matter how viking your
era was, I cannot digest
how you ever wore a badge!
|
| 00:38:22 | You're going back,
john spartan.
|
| 00:38:24 | Oh, yes, you're going back!
|
| 00:38:26 | >> Could you two please
dump some hormones?
|
| 00:38:28 | We need every cortex we
can get in this situation.
|
| 00:38:30 | >> We don't need
the neanderthal.
|
| 00:38:32 | Our computer has already
examined every feasible
scenario resulting from
the appearance of
simon phoenix.
|
| 00:38:38 | It is determined he
will attempt to set up
a drug lab and form
a crime syndicate.
|
| 00:38:42 | >> That is correct,
chief george earle.
|
| 00:38:44 | >> Look, I hate to interrupt
you two love birds,
but that's [ deleted ]
really stupid.
|
| 00:38:49 | >> John spartan, you
are fined one credit
for violating--
>> you think he wants
to start a business?
|
| 00:38:53 | Phoenix is going for a gun,
plain and simple-- trust me,
he's going for a gun.
|
| 00:38:58 | Primate thinks?
|
| 00:38:59 | Resonate some understanding.
|
| 00:39:01 | The only place a person
can even view a gun in
this city is at a museum.
|
| 00:39:12 | >> Welcome to the san angeles
museum of history.
|
| 00:39:16 | Beneath you, you
will see an excavation--
>> Phoenix: Whoa!
|
| 00:39:19 | >> Of an actual 20th century--
>> hey-- all right.
|
| 00:39:22 | >> Street scene in downtown
los angeles, preserved since
the earthquake of 2010.
|
| 00:39:29 | For specific information
concerning objects
featured in the exhibit--
>> firearms are on
display in the armory.
|
| 00:39:34 | >> Located on level a.
|
| 00:39:39 | >> You are now entering
the hall of violence:
A visual representation
of the primitive behavior
prevalent during
the late 20th century.
|
| 00:39:48 | >> Home, sweet home.
|
| 00:39:52 | Whoa.
|
| 00:39:54 | >> John spartan,
even if simon phoenix
was able to locate
the cache of firearms,
it would be impossible
for him to remove them.
|
| 00:40:01 | >> She's right.
|
| 00:40:02 | They're located in
a maximum-security
armory exhibit.
|
| 00:40:05 | >> It's just a hunch,
though, trust me on this.
|
| 00:40:07 | It's a cop thing.
|
| 00:40:09 | >> And what am i, a frog?
|
| 00:40:13 | >> Excuse me.
|
| 00:40:14 | >> Yes?
|
| 00:40:15 | >> I'll drive.
|
| 00:40:17 | >> I see-- I knew it.
|
| 00:40:20 | >> Resetting all bio-links
for new driver.
|
| 00:40:23 | Weight, height,
peripheral vision set.
|
| 00:40:26 | If you would like to
commence transportation,
john spartan,
initialize sequence now.
|
| 00:40:32 | >> You drive.
|
| 00:40:39 | >> Welcome,
lieutenant lenina huxley.
|
| 00:40:52 | >> You seem very much alone,
john spartan, but things
aren't all that different.
|
| 00:40:58 | Perhaps you'd like to
hear an oldies station?
|
| 00:41:01 | Oldies?
|
| 00:41:01 | >> Oh, what a relief it is.
|
| 00:41:03 | >> Oh, this is the town's
most popular station.
|
| 00:41:06 | Wall-to-wall mini-tunes.
|
| 00:41:07 | "
>> here's that classic
you've been waiting for.
|
| 00:41:10 | The number one request of
"
>> yes!
|
| 00:41:15 | >> Kids eat armour hot dogs.
|
| 00:41:16 | >> Oh, wow, this is my fave!
|
| 00:41:18 | >> Fat kids skinny kids
kids who climb on rocks
tall kids sissy kids
even kids with chicken pox
love hot dogs armour hot dogs
the dogs kids love to bite.
|
| 00:41:37 | >> Somebody put me
back in the fridge.
|
| 00:41:41 | >> You are now entering
the armory exhibit.
|
| 00:41:44 | You will find displays
in the cabinets and walls
around you, various
weapons used for violent
life terminations--
>> so sorry.
|
| 00:41:52 | Didn't see you there.
|
| 00:41:53 | Whoa-- hey.
|
| 00:41:54 | >> During the wars and
urban disturbances the 19th
and 20th century.
|
| 00:41:58 | Oh [ deleted ]!
|
| 00:41:59 | >> You are fined one credit
for a violation of th
verbal mortality statute.
|
| 00:42:03 | >> Oh-oh.
|
| 00:42:06 | Yes!
|
| 00:42:07 | Now, this is what
I'm talking about.
|
| 00:42:10 | How do you get in here?
|
| 00:42:11 | Hey, hey, do you got to wait
that 15-day waitin' period?
|
| 00:42:14 | Or can I just take one now?
|
| 00:42:17 | [ Deleted ]!
|
| 00:42:20 | >> You are fined
one credit for violation
of verbal mortality statute.
|
| 00:42:23 | [ Deleted ]!
|
| 00:42:25 | >> You are fined
one credit for violation of
verbal mortality statute.
|
| 00:42:29 | >> Mellow greetings.
|
| 00:42:29 | What seems to be your boggle?
|
| 00:42:31 | >> My "boggle"?
|
| 00:42:33 | Oh, god.
|
| 00:42:37 | How much do you weigh?
|
| 00:42:39 | >> Well, I happen
to weigh 16--
>> please vacate the museum,
patrons.
|
| 00:42:52 | Be calm.
|
| 00:42:54 | Please vacate the
museum, patrons.
|
| 00:42:57 | Be calm.
|
| 00:42:58 | >> Wait a minute.
|
| 00:42:59 | This is the future.
|
| 00:43:00 | Where are all
the phaser guns?
|
| 00:43:04 | >> Please vacate the
museum, patrons.
|
| 00:43:07 | Be calm.
|
| 00:43:08 | >> Mellow greetings, sir.
|
| 00:43:09 | What's your boggle?
|
| 00:43:14 | >> Please exit rapidly.
|
| 00:43:17 | Warning,
please exit rapidly.
|
| 00:43:20 | >> The magnetic accelerator
gun, the last produced
hand-held weapon of this
millennium, displaced the
flow of neutrons through
a nonlinear cycloid
electromagnetic accumulator.
|
| 00:43:30 | >> So, what-what-what,
it needs batteries?
|
| 00:43:33 | What size?
|
| 00:43:34 | I mean where do you
[ deleted ] find batteries
in the future?
|
| 00:43:36 | >> You are fined one credit--
>> is there a battery
store around?
|
| 00:43:39 | >> Excuse me, museum patron.
|
| 00:43:40 | Can i--
>> well, where's
the radio shack, huh?
|
| 00:43:48 | Oh, sweet music to my ears.
|
| 00:43:51 | >> When activated, the
magnetic accelerator gun
will achieve
fusion in 2.6 minutes.
|
| 00:43:55 | >> Yeah, well I was thinking
about leaving quickly.
|
| 00:43:57 | Patience is not one
of my virtues.
|
| 00:44:30 | Jeep.
|
| 00:44:31 | Knowing reality isn't captured by a hidden
camera.
|
| 00:44:34 | It doesn't come in episodes either.
|
| 00:44:36 | You see I don't live to live through anyone
ever.
|
| 00:44:40 | So while everyone waits to see
the next best this oran unbelievable that.
|
| 00:44:46 | Here's the reality.
|
| 00:44:47 | There's no rerun when your living in the
now.
|
| 00:44:49 | So while you tune in I'llbe somewhere getting
out.
|
| 00:44:54 | I live. I ride. I am. jeep.
|
| 00:45:17 | ♪Oh,
♪my love what have I done ♪
|
| 00:45:20 | ♪my burden is too heavy ♪
|
| 00:45:23 | ♪ we have more ♪
|
| 00:45:25 | ♪life goes on ♪
|
| 00:45:31 | hi!
|
| 00:45:31 | get
that's yours.
|
| 00:45:35 | - you can
get out.
|
| 00:45:40 | Hi. what can I get for this?
|
| 00:45:42 | ..
|
| 00:45:44 | With all the amenities in a meaty, melty
McDOUBLE.
|
| 00:45:47 | OR MAYBE AN irresistible McChicken, golden
fries,
..
|
| 00:45:53 | That are always here for you.
|
| 00:45:54 | - Eh? - wow!
|
| 00:45:55 | THE DOLLAR MENU.EVERY DAY, ONLY at McDonald's.
|
| 00:45:58 | ♪ Ba da ba ba ba ♪
|
| 00:46:31 | ]
]
whoa-hey!don't put me on that thing!
|
| 00:46:39 | HELP! [ Scanner Beeps ]
Hey look! we're on the guest list!
|
| 00:46:43 | That's the menu.
|
| 00:46:48 | buy750
water.
|
| 00:46:51 | Or just onebrita faucet filter.
|
| 00:46:55 | - ( plinks )-BRITA.
|
| 00:46:56 | Better for the environment
>> Spartan: Did you see that?
|
| 00:48:50 | >> Garcia: What?
|
| 00:48:51 | >> Never mind.
|
| 00:48:52 | I give up trying to
figure this place out.
|
| 00:48:54 | >> Phoenix: Excuse me, rambo.
|
| 00:48:55 | I need to borrow this.
|
| 00:49:02 | >> Access and
correlate procedure.
|
| 00:49:04 | establish
communication with
maniac intruder.
|
| 00:49:08 | >> Wrong.
|
| 00:49:09 | Hey, luke skywalker,
use the force.
|
| 00:49:11 | >> Oh, dear.
|
| 00:49:11 | >> Hey, what the hell
is this?
|
| 00:49:13 | >> It's a glow-rod.
|
| 00:49:14 | It-it's what we got.
|
| 00:49:15 | >> Does it work?
|
| 00:49:16 | >> Well, um.
|
| 00:49:19 | >> Guess so.
|
| 00:49:20 | >> Lt. Huxley: They have
him trapped in section 8.
|
| 00:49:22 | >> I doubt it, huxley.
|
| 00:49:23 | Now, make sure the
building's clear.
|
| 00:49:26 | >> Done.
|
| 00:49:26 | I want a visual-- now.
|
| 00:49:27 | Every corridor of the
museum, I want full
sensors routed to me, and
I want it 90 seconds ago.
|
| 00:49:31 | >> Hmm.
|
| 00:49:32 | You guys wait here.
|
| 00:49:33 | Give me 10 minutes.
|
| 00:49:36 | >> Museum patron, you are
now confined to the armory.
|
| 00:49:40 | Museum patron, you are now
confined to the armory.
|
| 00:49:51 | The armory exhibit
is now sealed.
|
| 00:49:54 | All museum patrons still
occupying the facility
should remain calm.
|
| 00:49:59 | Help is imminent.
|
| 00:50:05 | >> This museum is no
longer sealed, is it?
|
| 00:50:08 | What can I say?
|
| 00:50:09 | I'm a blast from the past.
|
| 00:50:11 | >> You should've stayed there.
|
| 00:50:12 | >> Oh, boy, that voice sounds
familiar-- who is that?
|
| 00:50:19 | >> Bad aim, blonde.
|
| 00:50:21 | >> Spartan?
|
| 00:50:22 | John spartan?
|
| 00:50:23 | Oh, they let anybody
into this century!
|
| 00:50:25 | What the hell are
you doing here?
|
| 00:50:29 | "
>> great-- just great.
|
| 00:50:35 | You're making it too
easy for me, phoenix.
|
| 00:50:38 | >> So, let me get this right.
|
| 00:50:40 | They defrosted you
just so you could
lasso my piddly ass?
|
| 00:50:43 | Damn, you've been had.
|
| 00:50:45 | I've been dreaming about
killing you for 40 years.
|
| 00:50:50 | >> Well, keep dreaming!
|
| 00:50:56 | [ Music ]
>> whoo-- wow!
|
| 00:51:28 | Whoo-- wow!
|
| 00:51:39 | >> Damn.
|
| 00:51:49 | >> Ak mag now reactivated.
|
| 00:51:52 | >> It's about time.
|
| 00:51:53 | Past is over, john.
|
| 00:51:54 | Time for something
new and improved.
|
| 00:51:57 | >> Oh, hell.
|
| 00:52:01 | >> Whoo!
|
| 00:52:02 | I love this gun!
|
| 00:52:10 | >> How are you liking
the future, john, huh?
|
| 00:52:24 | >> Come on!
|
| 00:52:25 | Come on!
|
| 00:52:33 | >> Oh, I know that
must've hurt.
|
| 00:52:35 | Huh, soldier boy?
|
| 00:52:38 | >> You're on tv.
|
| 00:52:46 | >> You're dead, spartan.
|
| 00:52:48 | >> Forgot to say:
"
>> oh.
|
| 00:52:59 | It's a brave new world.
|
| 00:53:01 | Sorry, you got to go!
|
| 00:53:06 | [ Music ]
>> r right now-- hurry, hurry.
|
| 00:53:26 | This way.
|
| 00:53:32 | >> Dr. Cocteau: Our noble
facility has been
desecrated by hooligans.
|
| 00:53:36 | Someone will pay
dearly for this.
|
| 00:53:43 | >> Bob: Sir, the stress
breeder is inside being
demobilized as we speak.
|
| 00:53:49 | >> Ah, being frozen
must've thrown my aim off.
|
| 00:53:53 | Don't worry, I'll get
you with the next shot.
|
| 00:53:56 | >> I don't think so.
|
| 00:54:00 | No kiss-kiss,
no bang-bang.
|
| 00:54:04 | And, you were
doing so well.
|
| 00:54:06 | Now, don't you have
a job to do-- huh?
|
| 00:54:09 | Isn't there a thought
repeating in that
barbaric brain of yours?
|
| 00:54:14 | The name friendly.
|
| 00:54:15 | Mr. edgar friendly.
|
| 00:54:18 | Don't you have
someone to kill?
|
| 00:54:27 | >> Yeah, I do.
|
| 00:54:29 | >> Excellent.
|
| 00:54:31 | >> Then go and do your job.
|
| 00:54:33 | >> Phoenix!
|
| 00:54:35 | >> Saved by the bell.
|
| 00:54:39 | [ Music ]
>> damn!
|
| 00:54:56 | You don't know how
lucky you are that
maniac didn't whack you.
|
| 00:55:00 | >> Well, I must say that
"whacking," whatever it is,
sounds most disagreeable.
|
| 00:55:04 | Well, you scared him away.
|
| 00:55:05 | I-i don't know how
to thank you.
|
| 00:55:07 | You-you saved my life.
|
| 00:55:09 | >> No problem.
|
| 00:55:12 | >> Not bad for a 74-year old.
|
| 00:55:15 | Simon phoenix knows he
has some competition.
|
| 00:55:18 | He's finally
matched his meat.
|
| 00:55:20 | You really licked his ass.
|
| 00:55:23 | >> That's "met his match"
"
>> "met-met his match
"
"met his match
"
>> captain earle,
who is this man?
|
| 00:55:35 | >> Chief Earle: Detective
john spartan,
temporarily reinstated
to the san angeles police
department to pursue
the escaped cryo-con
simon phoenix.
|
| 00:55:44 | You told us to do
everything in our power
to capture the madman.
|
| 00:55:47 | >> Oh, yes.
|
| 00:55:48 | I did-- I did.
|
| 00:55:49 | Yes, I do recall the
exploits of mr. john spartan.
|
| 00:55:53 | Yes, of course.
|
| 00:55:54 | Didn't they call him
"
that's quite all right, chief.
|
| 00:55:58 | Unexpected.
|
| 00:56:00 | Creative.
|
| 00:56:01 | But quite all right.
|
| 00:56:03 | John spartan, welcome.
|
| 00:56:06 | Now, in honor of
your arrival and your
protection of the sanctity of
human life, namely my own,
I would like to invite you
to join me for dinner
tonight-- the both of you.
|
| 00:56:16 | Please, I insist.
|
| 00:56:18 | I would like you to
accompany me to taco bell.
|
| 00:56:25 | >> Look forward to it.
|
| 00:56:26 | Thank you.
|
| 00:56:33 | "
>> yes.
|
| 00:56:37 | >> So let me get this right.
|
| 00:56:39 | Spacely sprockets here,
who's now the man in
charge, the mayor-gov,
whoho wants to take me to
dinner at taco bell--
lord knows I wouldn't
mind a burrito-- is also
one of the guys who built
the damnryo-prison?
|
| 00:56:50 | >> John spartan, you are
fined one credit--
>> thanks.
|
| 00:56:53 | cocteau is
the most important man
in san angeles.
|
| 00:56:56 | He practically created our
whole way of life, savage.
|
| 00:56:58 | >> Yeah?
|
| 00:56:59 | Well, he can have it.
|
| 00:57:01 | >> Now, phoenix could be
anywhere, but not being
coded could hurt him
and limit his options.
|
| 00:57:06 | >> That is correct.
|
| 00:57:07 | Money is outmoded.
|
| 00:57:08 | All transactions
are through codes.
|
| 00:57:10 | >> All right, so he can't
buy food or a place to
stay for the night.
|
| 00:57:13 | It'd be a waste of
time to mug someone.
|
| 00:57:15 | Unless he rips off
someone's hand.
|
| 00:57:17 | Let's hope he doesn't
figure that one out.
|
| 00:57:19 | >> But with all officers
already patrolling in a
city-wide crisis net,
it should be just a matter
of tick-tocks before
we actually--
>> more importantly, we
already have a backup plan.
|
| 00:57:27 | We can just wait for
another code to go red,
and when phoenix performs
another murder death kill,
we'll know exactly
where to pounce.
|
| 00:57:36 | >> Great plan.
|
| 00:57:37 | >> Thank you.
|
| 00:57:38 | >> He likes your plan, chief.
|
| 00:59:12 | musclepain
and I was so tenderto the touch--
but I didn'tknow why.
|
| 00:59:17 | My doctor diagnosedit as fibromyalgia.
|
| 00:59:19 | ..
|
| 00:59:22 | Fibromyalgia is thoughtto be the result
of over-active nerves thatcause chronic,
widespread pain.
|
| 00:59:28 | Lyrica isfda-approved
to help relieve the uniquepain of fibromyalgia.
|
| 00:59:33 | So now, I'm learning what aday is like with
less pain.
|
| 00:59:37 | Lyrica is notfor everyone.
|
| 00:59:38 | Tell your doctor about anyserious allergic
reaction
that causes swelling oraffects breathing
or skin,
or changes in eyesightinuding blurry vision
or muscle pain
with fever ortired feeling.
|
| 00:59:48 | Lyrica may cause suicidalthoughts or actions
in a very smallnumber of people.
|
| 00:59:52 | Some of the most commonside effects of lyrica
are dizziness,sleepiness, weight gain
and swelling of hands,legs, and feet.
|
| 00:59:58 | Do not drink alcoholwhile taking lyrica.
|
| 01:00:00 | You should not driveor operate machinery
until you know howlyrica affects you.
|
| 01:00:05 | Could your pain be causedby fibromyalgia?
|
| 01:00:07 | Ask your doctorabout lyrica today.
|
| 01:01:36 | Enthusiast of your escapades
for quite some time now.
|
| 01:01:38 | I have, in fact, perused
some news reels from
the schwarzenegger library,
and that time that you
took that car--
>> Spartan: Hold it.
|
| 01:01:46 | The schwarzenegger lryra?
|
| 01:01:47 | >> Yes, the schwarzenegger
presidential library.
|
| 01:01:49 | Wasn't he an actor when you--
>> stop-- he was president?
|
| 01:01:52 | >> Yes, even though he was
not born in his country,
his popularity at the
time caused the 61st
amendment, which states
that even though--
>> I don't want to know.
|
| 01:02:01 | President?
|
| 01:02:07 | [ Music ]
>> Phoenix: What the hell
is this?
|
| 01:02:14 | What, no door,
no welcome mat?
|
| 01:02:17 | What is this?
|
| 01:02:20 | How do people use these?
|
| 01:02:22 | How do they expect
you to kill somebody?
|
| 01:02:26 | I love that smell.
|
| 01:02:28 | Reminds me of
biscuits and gravy.
|
| 01:02:31 | All right.
|
| 01:02:32 | A job is a job.
|
| 01:02:33 | Edgar friendly,
wherever you are,
prepare for simon phoenix.
|
| 01:02:40 | >> So, what's with this
cocteau guy, anyway?
|
| 01:02:43 | He says I saved his life,
which I'm not even sure
I did, and my reward
is dinner and dancing
at taco bell?
|
| 01:02:49 | I mean, hey, I like
mexican food, but come on.
|
| 01:02:52 | >> Your tone is
quasi-facetious,
but you do not realize
that taco bell was
the only restaurant to
survive the franchise wars.
|
| 01:02:59 | >> So?
|
| 01:03:00 | >> So, now all restaurants
are taco bell.
|
| 01:03:04 | >> No way.
|
| 01:03:16 | >> Welcome to taco bell.
|
| 01:03:17 | Enjoy your meal, sir.
|
| 01:03:19 | Valley of the jolly green
giant good things from
the garden garden in
the valley valley of
the jolly green giant.
|
| 01:03:35 | >> Oh, here comes
the neanderthal.
|
| 01:03:38 | >> Dr. Cocteau: Ah,
spartan over there
please, and lieutenant.
|
| 01:03:42 | >> Thank you.
|
| 01:03:43 | Yes.
|
| 01:03:45 | >> Hi.
|
| 01:03:46 | >> How you guys doing?
|
| 01:03:47 | >> Yes.
|
| 01:03:50 | >> Enjoy-joy your meal, sir.
|
| 01:03:52 | >> Good thing I'm hungry.
|
| 01:03:54 | >> Ladies and gentlemen,
I'm going to ask you
to raise your glasses
to the hero of the hour,
my savior,
detective john spartan.
|
| 01:04:02 | >> John spartan.
|
| 01:04:05 | >> Appreciate it.
|
| 01:04:09 | >> Bob: Greetings
and salutations,
I'm associate bob.
|
| 01:04:13 | We met before,
ever so briefly.
|
| 01:04:15 | I was groveling in
fear at the time.
|
| 01:04:18 | >> Do you got the
salt, over there, bob?
|
| 01:04:20 | >> Um, salt is not good for
you, hence, it is illegal.
|
| 01:04:23 | >> So, john spartan,
tell me, what do you think
of san angeles, 2032?
|
| 01:04:29 | >> Well, considering the
way things were going
when I went in, i
thought the future would
be a rotting cesspool.
|
| 01:04:35 | >> Well, you weren't
here when the real
disturbances began.
|
| 01:04:38 | Civilization tried
to destroy itself.
|
| 01:04:41 | The city degenerated
into a total fear zone.
|
| 01:04:44 | The citizenry cocoong
in their homes,
afraid to go out.
|
| 01:04:48 | People just wanted
the madness over.
|
| 01:04:50 | So, when I saw the chance
to make things right,
I seized it.
|
| 01:04:55 | If I had not,
the radiance of san angeles
would not be here.
|
| 01:04:59 | Just your rotting cesspool
of hate and suffering.
|
| 01:05:03 | Which would you prefer?
|
| 01:05:04 | >> Maybe you can you book me
a flight outta here
when the sermon's over?
|
| 01:05:09 | >> John spartan, for your
crimes you would surely have
died in jail before now.
|
| 01:05:14 | Even you must appreciate
the persuasively
tranquil humanity of
the cryo-prison system?
|
| 01:05:21 | >> I don't want to
spoil your dinner, pal,
but my cryo-sentence
was no sweet lullaby.
|
| 01:05:27 | I had feelings
and I had thoughts.
|
| 01:05:29 | How about a 36-year
nightmare about people caught
in a burning building?
|
| 01:05:33 | >> You were awake?
|
| 01:05:34 | I don't think so.
|
| 01:05:35 | >> I do think so, and my wife
beating her fists against
a block of ice that used
to be her husband.
|
| 01:05:40 | Then you were nice enough
to wake me up and let me
know that everything that
meant something in
my life is gone.
|
| 01:05:46 | It would have been more
humane to stake me down
and leave me to the crows.
|
| 01:05:50 | >> What would you say
if I called you
a brutish fossil,
symbolic of a decayed era
gratefully forgotten?
|
| 01:05:56 | >> I don't know.
|
| 01:05:58 | "
>> I thought during
rehabilitation the
prisoners were not conscious.
|
| 01:06:03 | A-a person would go insane.
|
| 01:06:05 | >> The side effects
of the co-process
are unavoidable.
|
| 01:06:08 | You were found guilty
of a criminal charges.
|
| 01:06:11 | You owed, and still
owe, a debt to society.
|
| 01:06:13 | I'm sorry, there's
nothing I can do.
|
| 01:06:15 | >> Yeah, there is,
call for backup,
I'll be across the street.
|
| 01:06:18 | >> Spartan, wh-where-where
are you going?
|
| 01:06:20 | >> Bad guys about
to do bad things.
|
| 01:06:22 | It's just one of
those hunches again.
|
| 01:06:25 | >> Oh.
|
| 01:06:29 | [ Music ]
>> come on!
|
| 01:06:42 | >> Friendly: Go for the truck!
|
| 01:06:43 | The food's in the truck.
|
| 01:06:48 | Grab the big box!
|
| 01:06:49 | Come on-- move, move, move.
|
| 01:07:01 | >> You're gonna regret
this the rest of your life,
both seconds of it.
|
| 01:07:11 | Good night!
|
| 01:07:21 | >> Get him!
|
| 01:07:39 | What a [ deleted ] hero.
|
| 01:07:41 | Come on.
|
| 01:07:50 | >> Please, don't.
|
| 01:07:57 | >> What the hell?
|
| 01:07:59 | >> Such reckless abandonment.
|
| 01:08:01 | Looks like there ia
new shepherd in town.
|
| 01:08:04 | "
who are those guys?
|
| 01:08:06 | >> They're known as "scraps",
outcasts and deserters
who choose to live
beneath us in sewers
and abandoned tunnels.
|
| 01:08:14 | They're a constant
irritation to our harmony.
|
| 01:08:17 | >> They're nothing but thugs
and hooligans-- a society
of thieves.
|
| 01:08:21 | The last remaining
criminal element in the city.
|
| 01:08:23 | But plans are in progress
to purge this peril
from our day.
|
| 01:08:27 | >> You are even better
live than on laser disk.
|
| 01:08:30 | And the joy-joy way
you paused to make
a glib witticism
before doing battle with
that strangely wasteland scrap
with a round house punch.
|
| 01:08:36 | >> Huxley, look, this isn't
the wild west, okay?
|
| 01:08:39 | The wild west wasn't
even the wild west.
|
| 01:08:41 | Hurting people is
not a good thing.
|
| 01:08:43 | Well, sometimes it is,
but not when it's a bunch
of people looking
for something to eat.
|
| 01:08:54 | >> San angeles time
is now 22:15.
|
| 01:08:57 | >> Huxley, coding off.
|
| 01:08:59 | Auto-drive.
|
| 01:09:01 | >> Auto-drive engaged.
|
| 01:09:07 | >> Look, I'm sorry i
yelled at you back there.
|
| 01:09:11 | >> No need to make a
de-hurtful retraction.
|
| 01:09:14 | I've just assimilated
too much contraband.
|
| 01:09:16 | I fleshed you out as
some blow-up-the-bad-
guy-with-a-happy-grin
he-man-type.
|
| 01:09:21 | But now I realize
that you're the
moody-troubled-past-
gunslinger-who-will-only-
draw-when-he-must type.
|
| 01:09:28 | >> Huxley, stop.
|
| 01:09:29 | >> What?
|
| 01:09:29 | >> I not any of that, I just
do my job and things get--
>> demolished.
|
| 01:09:38 | >> You know, I keep lookin'
around, and I think about
my daughter growing up
in a place like this,
and I'm afraid she's
gonna think I'm some
kind of primitive.
|
| 01:09:47 | I mean, as much as
I want to see her,
I almost don't want to.
|
| 01:09:50 | Because I don't think
I'm gonna fit into
theicture very well.
|
| 01:09:54 | Not very well at all.
|
| 01:09:56 | >> It'd be a minor misuse
of police powers, but i-i
could do a search for y.
|
| 01:10:00 | >> No.
|
| 01:10:05 | Sorry.
|
| 01:10:09 | >> Oh, subject change.
|
| 01:10:10 | I got what you wanted.
|
| 01:10:12 | >> Well, great.
|
| 01:10:17 | >> What do you
need that for?
|
| 01:10:20 | >> It's just one of those
cop hunches again.
|
| 01:10:22 | >> Hmm.
|
| 01:10:42 | ring.
|
| 01:10:42 | Oh yes hi.
|
| 01:10:43 | Can you put my grandma on the phone please?
|
| 01:10:44 | Thanks.
|
| 01:10:44 | Excuse me a sec.
|
| 01:10:45 | Another person calling for her grandmother.
|
| 01:10:47 | She thinks it's her soup huh?
|
| 01:10:48 | I'm told she's in the garden picking herbs.
|
| 01:10:51 | She is so cute.
|
| 01:10:51 | Okay I'll hold.
|
| 01:10:52 | She's holding. Wha?
|
| 01:10:53 | (announcer) Progresso.
|
| 01:10:54 | You gotta taste this soup.
|
| 01:10:56 | .. what
are you doing?
|
| 01:11:01 | .. the jug... down put it down...
|
| 01:11:05 | This one's cheaper.
|
| 01:11:06 | Listen, your engine is the last place you
want to skimp. right?
|
| 01:11:10 | You want to go with the leader.
|
| 01:11:11 | The one america has counted on for over 80
years.
|
| 01:11:13 | The kind you can put in any make or model.
|
| 01:11:15 | - Get it? - got it.
|
| 01:11:16 | - Good. let's go, sparky. - okay.
|
| 01:11:18 | Announcer:WHEN IT COMES TO ANTIFREEZE...
|
| 01:11:19 | Your inner car guy knowsonly prestone is
prestone.
|
| 01:11:22 | - Nice.- look here.
|
| 01:11:27 | signof
cold...
|
| 01:11:28 | ( sneezing )
I didn't takeZicam Cold Remedy...
|
| 01:11:31 | But I did.
|
| 01:11:32 | Can you do it by 3:00 ?
|
| 01:11:33 | Yes, I can-- how about 2:00 ?
|
| 01:11:36 | Hmm...
|
| 01:11:37 | Get over your cold faster.
|
| 01:12:13 | there.
|
| 01:12:13 | We're done!
|
| 01:12:15 | With everything you needto make the whole
tree shine.
|
| 01:12:18 | It's perfect.
|
| 01:12:18 | Kmart MAKES CHRISTMAS COUNT!
|
| 01:12:19 | With a trim a home bristol tree and light
sets,
ALL AT A Kmart PRICE.
|
| 01:12:23 | THERE'S SMART,AND THERE'S Kmart SMART.
|
| 01:15:08 | >> Dr. Cocteau: Lights.
|
| 01:15:09 | >> Phoenix: Naw.
|
| 01:15:10 | I've changed that.
|
| 01:15:12 | Illuminate.
|
| 01:15:15 | Deluminate.
|
| 01:15:17 | Whoo, isn't that nicer?
|
| 01:15:21 | Go ahead, you try.
|
| 01:15:24 | >> Illuminate.
|
| 01:15:26 | >> Ah, raymond, raymond,
we've got to talk.
|
| 01:15:31 | >> How did you get in?
|
| 01:15:33 | >> Wish I knew.
|
| 01:15:34 | I got pass codes,
routes to secret underground
kingdoms, complete
access to the industrial
data-grid interface.
|
| 01:15:42 | I don't even know
what that means.
|
| 01:15:44 | But I've been meaning
to ask you about it,
because I like it.
|
| 01:15:48 | I like it a lot!
|
| 01:15:50 | You're skills were
given you for a reason.
|
| 01:15:53 | Not for your
personal amusement.
|
| 01:15:56 | Your job is to kill
edgar friendly
and stop a revolution
before it precipitates.
|
| 01:16:00 | That is why you
were rehabilitated.
|
| 01:16:06 | >> All right, I'm going to do
your dastardly deed for you.
|
| 01:16:09 | But it's gonna be a little
more difficult than you
thought, and I'm gonna
need some help.
|
| 01:16:16 | I'll need about five
or six more "special" men,
and I just so happen
to have a list.
|
| 01:16:23 | You see, I wouldn't
want you to defrost
any of those mad-dog
killer types.
|
| 01:16:27 | You know what I mean?
|
| 01:16:28 | And none of them
from new york,
they're too uptight.
|
| 01:16:31 | >> So you're going to
be the only mad-dog
killer type, right?
|
| 01:16:34 | >> Exactamundo.
|
| 01:16:36 | >> Fine.
|
| 01:16:39 | Take care of it.
|
| 01:16:41 | Just get it over with.
|
| 01:16:43 | You're beginning to be more
trouble than you're worth.
|
| 01:16:46 | >> Oh, raymond,
don't say that.
|
| 01:16:50 | And what do I get
out of all this?
|
| 01:16:53 | >> What do you want?
|
| 01:16:57 | >> Malibu.
|
| 01:16:59 | Santa monica.
|
| 01:17:00 | Hell, what about all
the coastal cities?
|
| 01:17:04 | >> Very well, I'll
bear it in mind.
|
| 01:17:06 | >> Good, I'll
send you a memo.
|
| 01:17:09 | >> Just do your job.
|
| 01:17:13 | >> What is john spartan
doing here, huh?
|
| 01:17:17 | Did you invite him to
this little party of ours?
|
| 01:17:21 | >> Look, you finish your
business, and I'll stuff
him back in the freezer.
|
| 01:17:25 | Think of him as a guarantee.
|
| 01:17:28 | >> A guarantee?
|
| 01:17:30 | Well, you don't have
much of a guarantee.
|
| 01:17:33 | I took care of spartan once,
I'll take care of him again.
|
| 01:17:37 | Now we need those
men defrosted.
|
| 01:17:46 | >> Spartan: So, this is
where you live, huxley?
|
| 01:17:49 | Very not bad.
|
| 01:17:50 | >> Lt. Huxley: Thank you.
|
| 01:17:51 | >> So, where will
I be staying?
|
| 01:17:54 | >> Oh, I procured you a
domicile right down the
corridor from my own.
|
| 01:18:00 | Everything is voice-coded,
so if you need
something, just ask.
|
| 01:18:05 | Lights.
|
| 01:18:06 | What do you think?
|
| 01:18:08 | Clicked off a lot of credits
to create the perfect
20th century apartment.
|
| 01:18:12 | >> Well, huxley, it's very--
>> isn't it?
|
| 01:18:17 | >> John spartan, there is,
of course, a well-known
and documented connection
between sex and violence.
|
| 01:18:26 | Not so much a causal effect,
but a general state
of neurological arousal.
|
| 01:18:32 | And after having observed
your behavior this evening
and my resultant condition,
um, I was wondering if
you'd like to have sex?
|
| 01:18:52 | >> With you?
|
| 01:18:53 | >> Um-hum!
|
| 01:18:55 | >> Here?
|
| 01:18:57 | Now?
|
| 01:18:59 | >> Um-hum!
|
| 01:19:01 | >> Oh, yeah.
|
| 01:19:03 | >> Great!
|
| 01:19:05 | I'll be right back.
|
| 01:19:16 | [ Music ]
>> love boat?
|
| 01:19:28 | >> Exciting and new
come aboard
we're expecting you
and love like--
>> there you go.
|
| 01:19:52 | Now, just relax.
|
| 01:19:53 | We'll begin in a few seconds.
|
| 01:19:56 | >> Begin what?
|
| 01:19:57 | >> Having sex, of course.
|
| 01:20:57 | What's wrong?
|
| 01:20:58 | You broke contact.
|
| 01:20:59 | "
I didn't even
touch you yet.
|
| 01:21:02 | >> I-i thought you wanted
to make love?
|
| 01:21:04 | >> Is that what you
call this?
|
| 01:21:07 | >> Vir-sex has proven to
produce high orders
of alpha waves during
digitized transference
of sexual energies.
|
| 01:21:12 | >> All right, huxley, what
do you say we just do it
the old-fashioned way.
|
| 01:21:16 | >> Ugh, disgusting!
|
| 01:21:17 | You mean fluid transfer?
|
| 01:21:19 | >> No, I mean boning,
the wild mambo,
and hunka chunka.
|
| 01:21:23 | >> That is no longer done.
|
| 01:21:25 | The exchange of bodily
fluids-- do you know
what that leads to?
|
| 01:21:28 | >> Yeah, I do-- kids, smoking,
a desire to raid the fridge.
|
| 01:21:32 | >> The rampant exchange
of bodily fluids was one
of the major reasons for
the downfall of society.
|
| 01:21:36 | After aids, there was nrs,
after nrs, there was ubt.
|
| 01:21:40 | And one of the first things
cocteau was able
to do was to outlaw
and behaviorally engineer
all fluid transfer out of
socially acceptable behavior.
|
| 01:21:48 | Not even, not even mouth
transfer's condoned.
|
| 01:21:50 | >> Kissing's not allowed?
|
| 01:21:52 | >> Ah!
|
| 01:21:52 | >> Damn, I was a good kisser.
|
| 01:21:54 | >> Ah.
|
| 01:21:55 | >> All right, what about kids?
|
| 01:21:57 | >> Procreation?
|
| 01:21:58 | >> Yeah.
|
| 01:21:59 | >> We go to a lab.
|
| 01:22:00 | Fluids are purified,,
screened and-and
transferred by authorized
medical personnel only.
|
| 01:22:06 | It is the only legal way.
|
| 01:22:10 | What are you doing?
|
| 01:22:13 | >> Breaking the law.
|
| 01:22:16 | >> You are a savage
creature, john spartan,
and I wish you to
leave my domicile now.
|
| 01:22:28 | >> Look, in-- I really love my sisters.
|
| 01:23:43 | Most of the time.
|
| 01:23:44 | [Chuckling]
aren't we in a good mood, ladies?
|
| 01:23:47 | We are. oh, these are my sisters.
|
| 01:23:49 | Announcer: The jordan girls are all
in a good mood today naturally.
|
| 01:23:51 | YOU CAN FIND YOUR GOOD MOOD TH SAM-e COMPLETE
From naturemade.
|
| 01:23:55 | And we actually get along.
|
| 01:23:57 | Oh, we didn't always.
|
| 01:23:58 | But we do now.
|
| 01:23:59 | SAM-e IS A NATURALLYOCCURRING MOLECULE
In your bodythat can run low
due to poor diet or age,
causing you to feelmoody and irritable.
|
| 01:24:05 | WITH SAM-e COMPLETETAKEN DAILY
YOU CAN REPLENISH YOURNATURAL SAM-e LEVELS.
|
| 01:24:09 | So, what's new?
|
| 01:24:10 | Sarah and I are having these fashion issues.
|
| 01:24:12 | She keeps putting these outfits together.
|
| 01:24:14 | She thinks I'm the enemy.
|
| 01:24:16 | Announcer: Visit sam-e.com.
|
| 01:24:17 | TAKE OUR MOOD QUIZ TO SEE IF SAM-e COMPLETE
Is right for you.
|
| 01:24:21 | Discover how easy it is
to stop sweating the small stuff
and restore your good mood
in as littleas 7 to 14 days.
|
| 01:24:28 | She'll have the tuna.
|
| 01:24:29 | [Laughter]
what's your good mood?
|
| 01:24:31 | FIND OUT WITH SAM-e COMPLETEFROM NATUREMADE.
|
| 01:24:35 | Do I always order the tuna? yep.
|
| 01:24:36 | Naturemade. another wayto fuel your greatness.
|
| 01:26:55 | >> Code accepted.
|
| 01:26:56 | Be well, john spartan.
|
| 01:27:07 | >> Spartan: Lights.
|
| 01:27:25 | Oh, he doesn't know how
to use the three seashells.
|
| 01:27:35 | Happy halloween.
|
| 01:28:07 | Behavioral engineering?
|
| 01:28:10 | >> Hi, martin, I was
... oh, my god,
I'm sorry, wrong number.
|
| 01:28:25 | >> Dr. Cocteau: Our noble
facility has been desecrated
by hooligans.
|
| 01:28:30 | Someone will pay
dearly for this.
|
| 01:28:34 | >> Bob: Sir, the stress
breeder is inside being
demobilized as we speak.
|
| 01:28:42 | >> Phoenix: Being frozen
must've thrown my aim off.
|
| 01:28:46 | Don't worry.
|
| 01:28:47 | The next shot.
|
| 01:28:48 | >> I don't think so.
|
| 01:28:50 | No kiss-kiss,
no bang-bang.
|
| 01:29:00 | >> Lt. Huxley: Detective?
|
| 01:29:02 | >> Listen, I'm sorry
about last night.
|
| 01:29:05 | Here, I made this for you.
|
| 01:29:11 | >> For me?
|
| 01:29:13 | >> Yeah.
|
| 01:29:15 | >> Thank you.
|
| 01:29:19 | >> Oh, I'll drive.
|
| 01:29:21 | I gotta learn to do
this once in my life.
|
| 01:29:24 | >> Okay.
|
| 01:29:37 | >> Thank you for
the lovely gift.
|
| 01:29:39 | >> Look, I don't know
what you guys put into
my cryo-sludge, but when
I thawed out, the first
I wanted to do is knit.
|
| 01:29:44 | I mean, how come i
know what a zipper foot,
a shuttle and a bobbin is
and a petty point is?
|
| 01:29:49 | I could weave a throw rug
right now with my
eyes closed.
|
| 01:29:53 | >> It's part of
your rehab program.
|
| 01:29:55 | For each inmate the
computer draws up a skill
or trade which best suits
their genetic disposition.
|
| 01:29:59 | And it would implant the
knowledge and the desire
to carry out whatever
training was assigned.
|
| 01:30:06 | >> I'm a seamstress?
|
| 01:30:07 | Oh, that's just great.
|
| 01:30:09 | I come out of cryo-prison
and I'm betsy ross,
and phoenix comes out
and he can access computers,
operate all vehicles,
knows the location of
every damn thing in town,
and is three times stronger
than when he went in?
|
| 01:30:21 | Can you get me phoenix's
rehab program now?
|
| 01:30:23 | >> Sure.
|
| 01:30:26 | >> I'm a seamstress.
|
| 01:30:27 | >> Access code for
simon phoenix.
|
| 01:30:29 | >> L7: access simon phoenix.
|
| 01:30:31 | Accessing.
|
| 01:30:33 | Access denied.
|
| 01:30:35 | >> What?
|
| 01:30:37 | >> Security overrides.
|
| 01:30:38 | >> This can't be right.
|
| 01:30:43 | >> Access granted,
officer huxley.
|
| 01:30:46 | Accessing simon phoenix,
deep-file rehab 65r.
|
| 01:30:50 | Urban combat kill,
torture methodology.
|
| 01:30:52 | Computer override authority.
|
| 01:30:54 | >> There must be a mistake.
|
| 01:30:55 | >> Survival tactics,
terrorism tactics, weapons
training, martial arts,
murder death kill,
explosives technician,
violent behavior.
|
| 01:31:02 | >> This isn't a proper
rehabilitation program.
|
| 01:31:04 | >> No kiddin'.
|
| 01:31:05 | >> This would create
a monster.
|
| 01:31:07 | >> Who develops
these programs?
|
| 01:31:09 | >> Well, cocteau
industries, of course.
|
| 01:31:11 | But why would the
cocteau
send such a brute savage
into our midst?
|
| 01:31:15 | >> Well, that's
a good question.
|
| 01:31:17 | Why don't we go ask him?
|
| 01:31:18 | >> No, john spartan,
you do not accuse the
savior of our city
of being connected with
a multi-murderer death
killer like simon phoenix.
|
| 01:31:24 | It's rude.
|
| 01:31:26 | >> I'll be subtle.
|
| 01:31:28 | I'm good at subtle.
|
| 01:31:32 | >> Mellow greetings.
|
| 01:31:33 | We are happy to welcome
you to the cocteau behavioral
engineering complex.
|
| 01:31:38 | Be well.
|
| 01:31:39 | >> Enhance your calm,
john spartan.
|
| 01:31:47 | >> Dr. Cocteau: Mellow
apologies for my lack of
physical disposition,
detective, but I do have
an entire city-gov to run.
|
| 01:31:53 | >> Yeah, well, run this.
|
| 01:31:54 | You programmed
phoenix's rehab to turn
him into a terrorist.
|
| 01:31:58 | And I don't think his escape
was an accident, either.
|
| 01:32:00 | >> Very subtle.
|
| 01:32:02 | >> Thank you.
|
| 01:32:03 | >> Now, outside the museum,
why didn't he blow
your brains out?
|
| 01:32:07 | What did you say?
|
| 01:32:08 | >> I honestly don't remember.
|
| 01:32:09 | Does it matter?
|
| 01:32:10 | >> Yeah, it matters.
|
| 01:32:11 | I saw the security disk.
|
| 01:32:12 | He had a full 10 seconds
to figure out where to
put the hole in your
[ deleted ] head.
|
| 01:32:16 | >> John spartan, this
display of barbaric
behavior was unacceptable
even in your time.
|
| 01:32:20 | >> Yeah, but it worked.
|
| 01:32:26 | When a man like phoenix
has a gun to your
head, 10 seconds is 9
and a half seconds
longer than you live.
|
| 01:32:33 | >> Not everyone is as
eager as you to resort
to violence to solve all
the difficulties in life.
|
| 01:32:38 | Even I begin to wonder
if the chaos tnhe museum
was the result of
phoenix's presence
or your own.
|
| 01:32:44 | I--
>> wonder about
this [ deleted ].
|
| 01:32:48 | >> John spartan,
you are fined one credit--
>> if you think you got
this maniac under control,
trust me, you don't.
|
| 01:32:52 | >> Is there something
specific you plan to do
with that archaic device?
|
| 01:32:55 | >> John spartan!
|
| 01:32:58 | >> No, I didn't think so.
|
| 01:33:00 | Detective, the only thing
I haven't got under
control is you.
|
| 01:33:05 | But that can be solved.
|
| 01:33:07 | You, my cro-magnon
friend, are dead.
|
| 01:33:10 | Your family's dead,
your past is dead.
|
| 01:33:13 | Dead things cannot
affect the living.
|
| 01:33:16 | So, enjoy your moment
of prehistoric bravado
because after you leave
here it will be over,
like everything else
in your life.
|
| 01:33:25 | Officer, return this man
to cryo-stasis immediately.
|
| 01:33:28 | ..
|
| 01:34:55 | Miralax is the one.
|
| 01:34:56 | It's the one.
|
| 01:34:57 | The one recommended by more doctors.
|
| 01:34:59 | Only miralax isclinically proven
to relieve constipationwith no harsh side
effects.
|
| 01:35:03 | Miralax is the only one.
|
| 01:35:05 | Restore your body'snatural rhythm with miralax.
|
| 01:35:09 | )
( humming continues )
( inhaling deeply )
♪♪♪
|
| 01:35:16 | wow!
|
| 01:35:17 | ♪♪♪
|
| 01:35:24 | when fragrance is your centerpiece,
the holidays come alive.
|
| 01:35:29 | ♪♪♪
|
| 01:35:30 | ( thud )
Both: Whoa!
|
| 01:35:33 | The limited editionholiday collection by
glade®.
|
| 01:35:36 | S.c. johnson.a family company.
|
| 01:35:40 | musclepain
and I was so tenderto the touch--
but I didn'tknow why.
|
| 01:35:45 | My doctor diagnosedit as fibromyalgia.
|
| 01:35:47 | ..
|
| 01:35:50 | Fibromyalgia is thoughtto be the result
of over-active nerves thatcause chronic,
widespread pain.
|
| 01:35:56 | Lyrica isfda-approved
to help relieve the uniquepain of fibromyalgia.
|
| 01:36:01 | So now, I'm learning what aday is like with
less pain.
|
| 01:36:05 | Lyrica is notfor everyone.
|
| 01:36:06 | Tell your doctor about anyserious allergic
reaction
that causes swelling oraffects breathing
or skin,
or changes in eyesightincluding blurry vision
or muscle pain
with fever ortired feeling.
|
| 01:36:16 | Lyrica may cause suicidalthoughts or actions
in a very smallnumber of people.
|
| 01:36:20 | Some of the most commonside effects of lyrica
are dizziness,sleepiness, weight gain
and swelling of hands,legs, and feet.
|
| 01:36:26 | Do not drink alcoholwhile taking lyrica.
|
| 01:36:28 | You should not driveor operate machinery
until you know howlyrica affects you.
|
| 01:36:33 | Could your pain be causedby fibromyalgia?
|
| 01:36:35 | Ask your doctorabout lyrica today.
|
| 01:38:17 | This glorious day?
|
| 01:38:18 | >> Lamb: I'll wait here.
|
| 01:38:20 | >> Spartan: Let's go.
|
| 01:38:21 | >> Garcia: Oh, I don't know.
|
| 01:38:22 | >> Look, I do know.
|
| 01:38:23 | Now, turn that thing on.
|
| 01:38:24 | >> I hope you know
what you're doing.
|
| 01:38:26 | victor 23 degrees--
>> Lt. Huxley: But you're
asking me to disobey
a direct order.
|
| 01:38:30 | I'm to escort you
to the cryo-prison.
|
| 01:38:31 | >> Look, you do what
you got to do.
|
| 01:38:33 | I know what I got to do.
|
| 01:38:34 | I got to nail that maniac
and put him on ice or
that's where I'm gonna be.
|
| 01:38:37 | >> Enhance your calm,
john spartan.
|
| 01:38:38 | >> Look, I've had it with
enhancing my calm.
|
| 01:38:40 | I'm gonna find that
psycho, phoenix, and
enhance his calm, and when
I'm done I'm gonna turn my
attention to that cocteau.
|
| 01:38:45 | Now, you don't have
to come with me,
I can do it alone-- okay?
|
| 01:38:48 | >> Even if simon phoenix
was programmed to escape,
extinguish life and steal
contraband weapons,
why are you proceeding
into the depth of wasteland?
|
| 01:38:55 | >> The reason why your
city-wide manhunt didn't
work was because phoenix
was in the one place that
"a" you can't monitor,
"b" are afraid to go,
and "c" don't give a
[ deleted ] about.
|
| 01:39:04 | Now, I want to go
down there.
|
| 01:39:06 | I want to find phoenix.
|
| 01:39:07 | I'm gonna put him
in a hurt locker.
|
| 01:39:09 | So, you want
to come with me?
|
| 01:39:11 | Or do you want
to arrest me, huh?
|
| 01:39:13 | >> Okay, I'm with you.
|
| 01:39:15 | Let's go blow this guy.
|
| 01:39:19 | >> Away.
|
| 01:39:20 | Blow this guy away.
|
| 01:39:23 | >> Whatever.
|
| 01:39:28 | >> Hmm, she's got
a way with words.
|
| 01:39:33 | >> Ugh.
|
| 01:39:38 | Ugh.
|
| 01:39:39 | >> What's wrong, huxley?
|
| 01:39:40 | >> It's not very clean.
|
| 01:39:46 | >> A real garden spot.
|
| 01:39:48 | All right,
which way, garcia?
|
| 01:39:50 | >> Twenty degrees tracking--
>> over there.
|
| 01:39:52 | >> All right, guys,
be ready for anything.
|
| 01:40:01 | >> My dog's better than
your dog my dog's better
than yours my dog's
better 'cause he gets
kennel-ration my dog's--
>> hey!
|
| 01:40:09 | >> I'm sorry, but
when I'm nervous, i--
>> homing signal tracking 15--
>> sorry.
|
| 01:40:14 | Oh, over here.
|
| 01:40:18 | [ Music ]
>> oh!
|
| 01:40:36 | >> Ooh!
|
| 01:40:36 | >> Oh, what's that emanation?
|
| 01:40:38 | >> Oh, yeah!
|
| 01:40:40 | Oh, yeah!
|
| 01:40:42 | Come on, guys.
|
| 01:40:50 | [ Speaking spanish ]
>> no, hey, just relax.
|
| 01:40:52 | All I want is a burger
and a beer, if you got one.
|
| 01:40:55 | [ Speaking spanish ]
>> how am I gonna pay?
|
| 01:40:59 | Huxley, it is
better to give.
|
| 01:41:02 | [ Speaking spanish ]
>> ah, want a slug?
|
| 01:41:10 | [ Speaking spanish ]
>> oh, no, thank you.
|
| 01:41:15 | >> I think I'm gonna be sick.
|
| 01:41:17 | >> Oh, god, this
is fantastic.
|
| 01:41:20 | You guys gotta try this.
|
| 01:41:21 | >> Oh, my.
|
| 01:41:22 | >> Just don't ask where
the meat comes from.
|
| 01:41:24 | >> Huxley, what's
that suppose to mean?
|
| 01:41:26 | >> Do you see any cows
around here, detective?
|
| 01:41:28 | [ Speaking spanish ]
[ speaking spanish ]
>> rat?
|
| 01:41:38 | This is a rat burger?
|
| 01:41:45 | Not bad.
|
| 01:41:47 | Matter of fact,
it's the best burger
I've had in years.
|
| 01:41:51 | [ Speaking spanish ]
see you later.
|
| 01:41:58 | [ Music ]
>> they don't seem very
hostile, john spartan.
|
| 01:42:20 | >> No, they don't.
|
| 01:42:31 | >> Now that's a
thing of beauty.
|
| 01:42:35 | Huxley, do you
know what this is?
|
| 01:42:37 | >> A 1970 oldsmobile 442,
with a 455-cubic-inch
engine, radial tires
and-and bucket seats.
|
| 01:42:48 | >> I'm impressed.
|
| 01:42:50 | >> I studied.
|
| 01:42:51 | >> Friendly: So did i.
|
| 01:42:52 | Hand over the glow-rod.
|
| 01:42:54 | Your friends, too.
|
| 01:42:55 | Come on, move.
|
| 01:42:57 | >> Ouch.
|
| 01:43:01 | Ouch!
|
| 01:43:04 | >> You got ball-balls, cop,
coming down here after
the show you put on.
|
| 01:43:07 | >> We're looking for a
murder death killer.
|
| 01:43:09 | Can you help us,
or just bully us with
your primitive weapons?
|
| 01:43:17 | Well, maybe they're
not so primitive.
|
| 01:43:22 | >> So, you think you're
taking me in, huh?
|
| 01:43:25 | Guess what?
|
| 01:43:26 | Not happening.
|
| 01:43:26 | You tell cocteau
he can kiss my ass.
|
| 01:43:28 | >> I don't want to rain
on your parade, pal,
but I don't know who
the hell you are, let alone
want to take you anywhere.
|
| 01:43:34 | So stay here, be well,
and-and cocteau's
an ass [ deleted ]!
|
| 01:43:37 | >> man: LET'S TAKE THEM
And dump them up top.
|
| 01:43:40 | They're only here
to spy on us.
|
| 01:43:42 | >> Wait a minute.
|
| 01:43:43 | You're the guy
outside taco bell.
|
| 01:43:46 | >> Yeah-- what do you want?
|
| 01:43:49 | >> I guess you weren't
part of the cocteau plan.
|
| 01:43:52 | >> Greed, deception, abuse
of power-- that's no plan.
|
| 01:43:58 | >> That's why
everybody's down here?
|
| 01:44:00 | >> You got that right.
|
| 01:44:01 | See, according to cocteau's
plan, I'm the enemy,
'cause I like to think.
|
| 01:44:06 | I like to read.
|
| 01:44:08 | I'm into freedom of speech
and freedom of choice.
|
| 01:44:10 | I'm the kind of guy to
sit in a greasy spoon
and wonder, "gee, should
I have the t-bone steak
or the jumbo rack of
barbecued ribs with a
"
I want high cholesterol.
|
| 01:44:18 | I want to eat bacon,
and butter and buckets
of cheese, okay?
|
| 01:44:21 | I want to smoke a
cuban cigar the size
of cincinnati in a
non-smoking section.
|
| 01:44:24 | I want to run through the
streets naked with green
jell-o all over my body
readin' playboy magazine,
and why?
|
| 01:44:29 | Because I suddenly might
feel the need to.
|
| 01:44:30 | Okay, pal.
|
| 01:44:31 | I've seen the future.
|
| 01:44:32 | You know what it is?
|
| 01:44:33 | It's a 47-year-old virgin
sittin' around in his
space pajamas, drinkin' a
banana-broccoli shake, singin'
"
you live up top,
you live cocteau's way.
|
| 01:44:39 | What he wants, when he
wants, how he wants.
|
| 01:44:41 | Your other choice?
|
| 01:44:42 | Come down here.
|
| 01:44:43 | Maybe starve to death.
|
| 01:44:45 | >> All right, then why don't
you take charge and lead
these people outta here?
|
| 01:44:48 | >> I'm no leader.
|
| 01:44:49 | I do what I have to do.
|
| 01:44:51 | Sometimes people
come with me.
|
| 01:44:54 | All I want to do is
bury cocteau up to his
neck and let him think
happy-happy thoughts fover.
|
| 01:44:58 | >> Then I got bad news.
|
| 01:44:59 | I think he wants
to kill you.
|
| 01:45:05 | >> Phoenix: All right,
gentlemen, let's review.
|
| 01:45:08 | The year is 2032.
|
| 01:45:10 | That's 2-0-3-2,
as in the 21st century.
|
| 01:45:14 | And I'm sorry to say
that the world has become
a whipped, brady bunch
version of itself, run by
a bunch of robed sissies.
|
| 01:45:23 | All we have to do to run
the whole thing is to kill
a man named friendly,
who put it all together.
|
| 01:45:31 | Ah, but there's
.
|
| 01:45:35 | We get to kill the man
who put most of us
behind the freezer.
|
| 01:45:40 | >> You mean we get
to kill john spartan?
|
| 01:45:43 | >> Exactly.
|
| 01:45:45 | I want you to loot,
pillage, plunder.
|
| 01:45:47 | I want you to steal.
|
| 01:45:48 | I want you to do all the
wonderful things that
we used to do before
all of this happened.
|
| 01:45:53 | This world will be ours!
|
| 01:45:55 | Let's bring back
the good old days!
|
| 01:45:57 | Are you with me?
|
| 01:45:58 | >> Yeah!
|
| 01:45:59 | >> Are you with me?
|
| 01:46:00 | >> Yeah!
|
| 01:46:01 | >> Let's do it!
|
| 01:46:02 | >> Yeah! the men's room marathon.
|
| 01:47:06 | With lots of guys going over and over.
|
| 01:47:09 | And here's the dash to the men's room
with lots of guys going urgently.
|
| 01:47:13 | And then there's the night game.
|
| 01:47:15 | Waking up to go.
|
| 01:47:15 | These guys should be in a race to see their
doctors.
|
| 01:47:18 | those could be urinary symptoms
due to bph,
an enlarged prostate.
|
| 01:47:22 | But for many guys,
prescriptionflomax reduces
their urinary symptomsdue to bph in one week.
|
| 01:47:28 | Only your doctor can tell if you have bph,
not a more serious condition like prostate
cancer.
|
| 01:47:33 | When taking flomax, avoid driving
or hazardous tasks until you know
how flomax will affect you,
as a sudden drop
in blood pressure may occur,
rarely resulting in fainting.
|
| 01:47:41 | Tell your doctor about all medications you
take.
|
| 01:47:44 | If considering cataract surgery,
tell your eye surgeon you've taken flomax.
|
| 01:47:48 | Common side effects are runny nose,
dizziness and decrease in semen.
|
| 01:47:51 | Ask your doctor if flomaxis right for you.
|
| 01:47:54 | Call 877-4-flomax
to see if youqualify for up
to $40 off
new or refillprescriptions.
|
| 01:48:00 | For many men, flomaxcan make a difference
in one week.
|
| 01:50:30 | But I can find no
fault in your logic.
|
| 01:50:32 | Simon phoenix is the
perfect weapon to send out
into the savage and other
regions in which we stand.
|
| 01:50:37 | I'm impressed, john spartan.
|
| 01:50:39 | >> Friendly: You mean, they
thawed this guy out
just to kill me?
|
| 01:50:43 | I'm flattered.
|
| 01:50:44 | >> Spartan: Don't be
flattered, be frightened.
|
| 01:50:47 | This guy's a
certifiable nightmare.
|
| 01:50:49 | >> And that's why
you're down here?
|
| 01:50:51 | >> Yeah.
|
| 01:50:52 | >> Phoenix: Oh, I must
have done something right
in a previous life.
|
| 01:50:57 | Can't imagine what
that could've been.
|
| 01:51:01 | Two for the price of one.
|
| 01:51:03 | Let's take them, boys.
|
| 01:51:09 | >> Stay down!
|
| 01:51:17 | >> Boom!
|
| 01:51:34 | >> Quick, up on top.
|
| 01:51:43 | >> I'll be damned,
like a new york cockroach.
|
| 01:51:56 | [ Music ]
>> everything's gone wrong.
|
| 01:52:17 | [ Speaking spanish ]
>> phoenix!
|
| 01:52:32 | There's an elevator
shaft on top of this place.
|
| 01:52:37 | >> Does that mean
we're going up?
|
| 01:52:39 | >> Momentito, señorita huxley.
|
| 01:52:40 | Come on.
|
| 01:52:59 | >> How nice!
|
| 01:53:00 | Must've been expecting me.
|
| 01:53:18 | >> Okay, now what?
|
| 01:53:19 | >> Buckle up.
|
| 01:53:36 | >> Ha-ha-ha!
|
| 01:53:44 | >> There he is.
|
| 01:53:45 | He's in my car.
|
| 01:53:46 | Whoa!
|
| 01:53:52 | >> Damn it.
|
| 01:53:59 | What is happening
to cops today, huh?
|
| 01:54:02 | Don't you know you are
endangering the lives
of civilians?
|
| 01:54:22 | >> Auto-inflate!
|
| 01:54:24 | >> Auto-inflate.
|
| 01:54:26 | >> Damn!
|
| 01:54:28 | >> Oh, that is just lovely.
|
| 01:54:31 | >> Huxley, drive!
|
| 01:54:33 | >> Okay, okay!
|
| 01:54:34 | I've read all about
this, now-- okay.
|
| 01:54:38 | So what do I do?
|
| 01:54:39 | I just, I just
push this pedal?
|
| 01:54:42 | Whoa!
|
| 01:54:42 | Okay, okay.
|
| 01:54:43 | I got it, I got it.
|
| 01:54:45 | Whoa!
|
| 01:54:48 | [ Music ]
>> punch it, huxley.
|
| 01:54:55 | >> Excuse me?
|
| 01:54:56 | >> Push the pedal as
hard as you can.
|
| 01:54:59 | Just catch up to 'em.
|
| 01:55:00 | >> Hold on.
|
| 01:55:01 | >> Go faster.
|
| 01:55:02 | Faster!
|
| 01:55:09 | >> No free rides!
|
| 01:55:16 | >> Emergency, doors open.
|
| 01:55:18 | >> Doors opening.
|
| 01:55:20 | >> Say hello to my
little friend.
|
| 01:55:34 | >> Doors close!
|
| 01:55:36 | >> Malfunction.
|
| 01:55:42 | >> Computer, auto-drive.
|
| 01:55:44 | >> Auto-drive engaged.
|
| 01:55:46 | Going to give you
a haircut, spartan.
|
| 01:55:49 | Remember those 40 bus
passengers that you blew
apart trying to catch me?
|
| 01:55:54 | They were already dead.
|
| 01:55:57 | Cold as haagen-dazs!
|
| 01:56:07 | Man, I went to jail
with a 36-year smile.
|
| 01:56:11 | You're dead, spartan.
|
| 01:56:12 | >> Speak for yourself.
|
| 01:56:23 | >> Self-drive.
|
| 01:56:24 | >> Unable to execute.
|
| 01:56:26 | >> Self-drive, now!
|
| 01:56:27 | >> Malfunction.
|
| 01:56:28 | Unable to execute.
|
| 01:56:30 | >> Emergency!
|
| 01:56:32 | Go left.
|
| 01:56:33 | Brake!
|
| 01:56:35 | >> Self-drive engaged.
|
| 01:56:38 | >> Brake!
|
| 01:56:40 | Brake!
|
| 01:56:42 | Brake now, you,
mickey mouse--
to
.. yeah?
|
| 01:58:08 | You gonna ask him this time?
|
| 01:58:09 | About what?
|
| 01:58:10 | Our erectile dysfunction.
|
| 01:58:11 | ..no...i don't want to talk about it.
|
| 01:58:14 | Look, you're not alone,
millions of men with ed have talked to their
doctors.
|
| 01:58:18 | ..
|
| 01:58:19 | We can do this.
|
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|
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| 01:58:36 | Don't take viagra if youtake nitrates for
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|
| 01:58:41 | Side effects mayinclude headache,
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|
| 01:58:45 | To avoidlong-term injury,
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|
| 01:58:49 | Stop taking viagra and callyour doctor right
away
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in visionor hearing.
|
| 01:58:55 | ..
|
| 01:58:56 | And ask if viagrais right for you.
|
| 02:01:07 | >> Lt. Huxley: John spartan?
|
| 02:01:09 | John spartan,
are you in there?
|
| 02:01:12 | John spartan?
|
| 02:01:13 | >> Spartan: Who do you
think it is, huxley?
|
| 02:01:15 | >> Oh-- oh.
|
| 02:01:17 | Yeah.
|
| 02:01:23 | >> I thought your
life force had been
prematurely terminated.
|
| 02:01:26 | >> Yeah, I thought
I was history, too.
|
| 02:01:29 | What the hell happened?
|
| 02:01:30 | All of a sudden, this
car turned into a cannoli.
|
| 02:01:32 | >> It's secur-a-foam,
and it saved your life.
|
| 02:01:35 | Look at you.
|
| 02:01:36 | You're in shambles.
|
| 02:01:37 | >> Ah, don't worry.
|
| 02:01:38 | I can fix it later.
|
| 02:01:39 | All I need is a
needle and thread.
|
| 02:01:42 | >> Oh.
|
| 02:01:42 | >> Did I really say that,
did i?
|
| 02:01:45 | Damn!
|
| 02:01:50 | >> Chief Earle: John spartan,
you-you caveman,
you're under arrest!
|
| 02:01:55 | You're to be returned
to the cryo-prison.
|
| 02:01:58 | Immediately!
|
| 02:01:59 | >> I heard all about that.
|
| 02:02:00 | We'll talk later, chief.
|
| 02:02:01 | Right now, I need
something, anything,
a shotgun, a flare gun.
|
| 02:02:04 | >> Spartan.
|
| 02:02:06 | >> What?
|
| 02:02:08 | >> Defensive red alert!
|
| 02:02:11 | Stun batons on.
|
| 02:02:14 | Ngeage yourselves.
|
| 02:02:15 | >> Relax.
|
| 02:02:16 | >> Well, look at you,
you get a bump on the
noggin and you think
you're poncho villa?
|
| 02:02:21 | >> Garcia: Who?
|
| 02:02:22 | >>Never mind.
|
| 02:02:23 | >> Time to take a stand, pal.
|
| 02:02:24 | >> Well good, and while you're
doing it, loan me a gun.
|
| 02:02:27 | Loan me two guns.
|
| 02:02:28 | >> You'd use these weapons
of mass destruction
against men and women
who uphold the law?
|
| 02:02:32 | >> We use these weapons to
shop for groceries, dick.
|
| 02:02:35 | >> Spartan, wait.
|
| 02:02:37 | You can't leave.
|
| 02:02:39 | You're under arrest.
|
| 02:02:40 | This very concept
negates the possibility
of your leaving.
|
| 02:02:44 | >> Skip it, chief.
|
| 02:02:45 | >> Lieutenant huxley!
|
| 02:02:47 | >> Chief, you can take this
job and you can shovel it.
|
| 02:02:52 | Hmm!
|
| 02:02:54 | >> "Take this job
"
>> yeah?
|
| 02:02:59 | >> Close enough.
|
| 02:03:03 | >> No-- no!
|
| 02:03:06 | Dr. Cocteau: I hadn't counted
on this, but I must say,
you worked out beautifully.
|
| 02:03:10 | People are terrified of you.
|
| 02:03:13 | >> Phoenix: What's new?
|
| 02:03:14 | People have always
been terrified of me.
|
| 02:03:17 | >> Yes, but this time
they're really intimidated.
|
| 02:03:21 | Now, I'll have
carte blanche to create
the perfect society.
|
| 02:03:28 | My society.
|
| 02:03:30 | San angeles will be a
beacon of order, with the
purity of an ant colony,
and the beauty
of a flawless pearl.
|
| 02:03:41 | >> That's who you remind
.. an evil mr. rogers.
|
| 02:03:45 | Will you please kill him?
|
| 02:03:47 | He's pissing me off.
|
| 02:03:54 | >> Yeah.
|
| 02:03:58 | >> Put another log
on the fire.
|
| 02:04:02 | I will love runnin'
this place.
|
| 02:04:10 | Ah, well, now, what shall
I do with you, hum, bobby?
|
| 02:04:17 | >> Bob: I am an excellent
associate, sir.
|
| 02:04:20 | I would be delighted
to continue my services
during your administration.
|
| 02:04:24 | >> Huh, danzig,
maybe we'll use him--
>> excuse me, but
the police are here.
|
| 02:04:30 | >> Oh!
|
| 02:04:33 | [ Music ]
>> I'm impressed.
|
| 02:05:19 | Huxley!
|
| 02:05:30 | >> That man has died
by my hands.
|
| 02:05:34 | >> It was either him
or us, huxley.
|
| 02:05:37 | >> Oh, well, there is that.
|
| 02:05:38 | >> Anyway, where the
hell did you learn
to kick like that?
|
| 02:05:42 | >> Oh, um, jackie chan movies.
|
| 02:05:43 | >> Ah.
|
| 02:05:52 | >> Looks like the cocteau
plan just went up in smoke.
|
| 02:05:55 | >> Rest in peace,
raymond cocteau.
|
| 02:05:58 | Oh, john spartan,
civilization as we know it
will come to an end.
|
| 02:06:03 | What will we do?
|
| 02:06:04 | >> I don't know, but trust
me this is better for you.
|
| 02:06:08 | What's that?
|
| 02:06:13 | >> Oh, this is bad.
|
| 02:06:15 | This is very bad.
|
| 02:06:16 | He's accessed the cryo-prison.
|
| 02:06:18 | He's about to defrost the
entire multi-lifer wing.
|
| 02:06:20 | Most of them
don't like you.
|
| 02:06:22 | >> Most of these guys don't
even like their own mothers.
|
| 02:06:25 | They're bad boys, huxley.
|
| 02:06:26 | How many are there?
|
| 02:06:30 | >> Eighty, all without rehab.
|
| 02:06:33 | And they'll be re-animated
within the hour.
|
| 02:06:35 | >> Oh, we gotta stop this.
|
| 02:06:38 | >> I'm not at all pleased
about having caused
the fatality of that
deranged, cryo convict.
|
| 02:06:43 | I now understand that under
certain circumstances that
violence is necessary.
|
| 02:06:47 | >> Good.
|
| 02:06:52 | I hope you understand this.
|
| 02:06:57 | [ Music ]
>> oh, I hope my butt
didn't look like that.
|
| 02:07:06 | Okay, who do we have
left that's good, huh?
|
| 02:07:09 | Oh, let's see,
foulks, patrick.
|
| 02:07:12 | Jeffrey dahmer?
|
| 02:07:13 | I love that guy.
|
| 02:07:14 | Look, we've got
to get him.
|
| 02:07:16 | How long before
the rest are done?
|
| 02:07:18 | >> They're in the final
stages of reanimation, sir.
|
| 02:07:19 | >> Great-- absolutely great.
|
| 02:07:23 | Gentlemen!
|
| 02:07:24 | Thank you very much,
but your services will
no be longer required.
|
| 02:07:34 | >> Send a maniac
to catch a maniac.
|
| 02:08:17 | musclepain
and I was so tenderto the touch--
but I didn'tknow why.
|
| 02:08:22 | My doctor diagnosedit as fibromyalgia.
|
| 02:08:25 | ..
|
| 02:08:27 | Fibromyalgia is thoughtto be the result
of over-active nerves thatcause chronic,
widespread pain.
|
| 02:08:34 | Lyrica isfda-approved
to help relieve the uniquepain of fibromyalgia.
|
| 02:08:38 | So now, I'm learninghat aday is like with
less pain.
|
| 02:08:42 | Lyrica is notfor everyone.
|
| 02:08:44 | Tell your doctor about anyserious allergic
reaction
that causes swelling oraffects breathing
or skin,
or changes in eyesightincluding blurry vision
or muscle pain
with fever ortired feeling.
|
| 02:08:54 | Lyrica may cause suicidalthoughts or actions
in a very smallnumber of people.
|
| 02:08:58 | Some of the most commonside effects of lyrica
are dizziness,sleepiness, weight gain
and swelling of hands,legs, and feet.
|
| 02:09:04 | Do not drink alcoholwhile taking lyrica.
|
| 02:09:06 | You should not driveor operate machinery
until you know howlyrica affects you.
|
| 02:09:10 | Could your pain be causedby fibromyalgia?
|
| 02:09:13 | Ask your doctorabout lyrica today.
|
| 02:12:30 | >> Attention-- attention.
|
| 02:12:33 | Cryo-prisoner defrosting
re-animation sequence
now entering final stage.
|
| 02:12:39 | Count down to
re-animation of prisoner
batches 219, 310, 480,
and 570, ten minutes.
|
| 02:12:51 | >> Bob: That's it,
the very last one.
|
| 02:12:54 | >> Phoenix: Excellent.
|
| 02:12:56 | >> Accessed.
|
| 02:12:59 | >> What the hell is that?
|
| 02:13:12 | >> Phoenix!
|
| 02:13:37 | >> Didn't expect
that one, did you?
|
| 02:13:39 | Huh-- where you going?
|
| 02:13:40 | >> I wish you the
best of luck, sir.
|
| 02:13:43 | >> Stupid.
|
| 02:13:51 | It's fun.
|
| 02:13:52 | How's it hanging, huh?
|
| 02:13:54 | I'm sure you're familiar
with the long am
of the law, aren't you?
|
| 02:14:02 | Oh, come on, spartan,
why don't you struggle
a little bit?
|
| 02:14:06 | Make me work for it, huh.
|
| 02:14:07 | What do you say?
|
| 02:14:08 | How about a little
target practice.
|
| 02:14:11 | What do you say?
|
| 02:14:18 | Oops, ha-ha,
didn't hurt your head?
|
| 02:14:22 | Ha-ha-ha.
|
| 02:15:02 | That's this one.
|
| 02:15:03 | You not gettin'
out of this one.
|
| 02:15:08 | I could drop you in
that vat of defrost,
over there, and fry
your ass like a chicken.
|
| 02:15:14 | With my little pinky.
|
| 02:15:59 | Damn, what am
I doing wrong?
|
| 02:16:01 | >> Cryo-prisoner re-animation
sequence now entering
final stage.
|
| 02:16:12 | >> Is it cold in here,
or is it just me?
|
| 02:16:16 | >> Good memory.
|
| 02:16:20 | [ Music ]
>> I hate cops!
|
| 02:16:44 | Look into my eyes, john.
|
| 02:16:45 | I'll see you in hell.
|
| 02:16:47 | >> Not.
|
| 02:16:52 | [ Music ]
>> this is the best
day of my life.
|
| 02:18:04 | >> Heads up!
|
| 02:18:09 | [ Music ]
>> Chief Earle: You have
apprehended the villain
responsible for the murder
of our beloved
dr. raymond cocteau?
|
| 02:19:02 | >> Well, I wouldn't
"
let's just say,
"
and the cryo-prison?
|
| 02:19:07 | That's is history, too.
|
| 02:19:10 | >> What'll we do?
|
| 02:19:13 | How will we live?
|
| 02:19:14 | >> Friendly: I'll tell
you what we're gonna do,
we're gonna go out drinking,
all of us, and paint
the town, literally.
|
| 02:19:18 | Put up graffiti, slogans,
it'll be a blast.
|
| 02:19:20 | >> Whoa-whoa-whoa!
|
| 02:19:21 | I'm gonna tell you
what you're gonna do.
|
| 02:19:23 | Why don't you get a little
dirty, you, a lot clean, and
..
|
| 02:19:29 | I don't know,
you'll figure it out.
|
| 02:19:31 | >> Garcia: Freakin'-a!
|
| 02:19:35 | >> Well put.
|
| 02:19:37 | >> Mister friendly.
|
| 02:19:38 | Edgar friendly?
|
| 02:19:39 | Greetings and salutations,
edgar friendly,
I'm associate bob.
|
| 02:19:43 | And may I say it would be
a pleasure to assist you
creatg a more humane--
>> bob!
|
| 02:19:48 | Bob!
|
| 02:19:48 | Let's talk about the hair,
okay?
|
| 02:19:51 | >> Hair?
|
| 02:19:51 | >> Pick a color, all right,
>> and lose the kimono.
|
| 02:19:53 | You look like a couch.
|
| 02:19:54 | >> Couch?
|
| 02:19:55 | What are you, a
surgeon with these gloves?
|
| 02:20:00 | >> Thank you for
rendering me unconscious.
|
| 02:20:04 | >> Huxley, I did it
for your own good.
|
| 02:20:06 | >> We're supposed
to be a team.
|
| 02:20:08 | >> We are.
|
| 02:20:17 | >> Oh, my.
|
| 02:20:19 | Are all fluid transfer
activities like this?
|
| 02:20:22 | >> Better.
|
| 02:20:23 | >> Better?
|
| 02:20:25 | Oh, my.
|
| 02:20:29 | >> I think I'm gonna
like the future.
|
| 02:20:32 | >> Now that you've
demolished everything.
|
| 02:20:35 | But there's just one
thing I want to know.
|
| 02:20:37 | >> Hmm?
|
| 02:20:38 | >> How's that damn
♪♪♪
|
| 02:21:07 | (announcer) "THE PRISONER," A THREE-NIGHT
Event,
coming to amc, starring ian mckellen
of "the lord of the rings" and "x-men,"
and jim caviezel.
|
| 02:21:17 | (Six) WHAT THE HELL IS THIS PLACE?
|
| 02:21:18 | How I got here?
|
| 02:21:20 | I am not a number.
|
| 02:21:21 | (Two) THE TRUTH IS RIGHT INSIDE YOU.
|
| 02:21:26 | Knock-knock.
|
| 02:21:27 | ♪♪♪
|
| 02:21:29 | mm.
|
| 02:21:36 | (gun shot echoing)
♪♪♪
|
| 02:21:40 | (Two) SEE HOW THE SUN MAKES IT ALL GLOW?
|
| 02:21:47 | What were you doing in the mountains, six?
|
| 02:21:52 | I was--
what did you call me?
|
| 02:21:56 | (rapid firing)
(Two) WHERE IS THE OLD MAN?
|
| 02:22:01 | Tell them all that I got out.
|
| 02:22:04 | I don't even know how I got to this place.
|
| 02:22:06 | I wanna get back to new york.
|
| 02:22:09 | That's not possible.
|
| 02:22:12 | There is no new york.
|
| 02:22:14 | There's only the village.
|
| 02:22:17 | ♪♪♪
|
| 02:22:20 | (Six) WHERE IS THIS PLACE?
|
| 02:22:22 | This is the village.
|
| 02:22:23 | Yeah, but what village?
|
| 02:22:24 | Hey, man, what gives with you?
|
| 02:22:25 | This isthevillage, and I do local destinations.
|
| 02:22:28 | Hey, hey, hey!
|
| 02:22:31 | (Six) WHAT'S HAPPENING TO ME?
|
| 02:22:33 | I wish you wouldn't fight it.
|
| 02:22:35 | Fight what? reality.
|
| 02:22:38 | (Six) THE OLD MAN FOUND SOMETHING.
|
| 02:22:39 | And if he can do it, I can.
|
| 02:22:44 | I'd like to buy a map-- biggest one you got.
|
| 02:22:48 | Big enough for ya?
|
| 02:22:49 | You are here and--
where's the road outta here?
|
| 02:22:52 | Oh, you crack me up, six.
|
| 02:22:55 | You have not seen me before.
|
| 02:22:57 | Welcome to the village.
|
| 02:22:58 | Everybody knows everybody.
|
| 02:23:01 | Be seeing ya.
|
| 02:23:04 | He is resistant.
|
| 02:23:05 | (Two) HE MUST BE INVESTIGATED.
|
| 02:23:07 | He's different.
|
| 02:23:07 | (313) Six, look, I understand that you believe
these things.
|
| 02:23:10 | But, please, don't meddle in other people's
lives.
|
| 02:23:14 | (Six) CAN YOU HONESTLY TELL ME
That the village is all that there is?
|
| 02:23:19 | You're one of us.
|
| 02:23:20 | That's the truth.
|
| 02:23:23 | (woman) ISN'T IT BEAUTIFUL?
|
| 02:23:25 | Who are you people?
|
| 02:23:27 | Newcomers.
|
| 02:23:28 | Where have you come from?
|
| 02:23:29 | We just got off the bus.
|
| 02:23:30 | But where did you get on the bus?
|
| 02:23:32 | Well, the village.
|
| 02:23:34 | No, this is the village.
|
| 02:23:36 | You've arrived here.
|
| 02:23:37 | Well, isn't that just the wildest thing?
|
| 02:23:40 | (breathing heavy)
I dream this, all of the time.
|
| 02:23:47 | What is it?
|
| 02:23:48 | This is more real than anything out there.
|
| 02:23:50 | This is the first bibit of hope I've been
given
since I got here.
|
| 02:23:53 | (Two) WHAT IS IT YOU'RE SUGGESTING?
|
| 02:23:56 | A hole in the sky?
|
| 02:23:57 | Aliens landing secretly in the night?
|
| 02:24:01 | A mysterious road that leads beyond-beyond-beyond?
|
| 02:24:04 | A magic gateway, perhaps?
|
| 02:24:05 | Some portal leading into never-never land?
|
| 02:24:10 | The problem is in your mind.
|
| 02:24:13 | ♪♪♪
|
| 02:24:21 | what is it, 11-12?
|
| 02:24:22 | Why is six so convinced there is another
place?
|
| 02:24:24 | Because for people like six,
..
|
| 02:24:30 | The simple life.
|
| 02:24:34 | They want to escape it.
|
| 02:24:36 | ♪♪♪
|
| 02:24:39 | I have the perfect muse of a simulation for
him.
|
| 02:24:41 | I know six better than six knows six.
|
| 02:24:45 | He's in love with his own humanity.
|
| 02:24:47 | He only wants to do the right thing.
|
| 02:24:52 | That is what will give him to me.
|
| 02:24:56 | ..
|
| 02:24:57 | ♪♪♪
|
| 02:25:04 | and you.
|
| 02:25:06 | (Six) IS THAT WHY THEY LET YOU LOOSE ON ME?
|
| 02:25:08 | The, caring, sharing doctor
with the big, beautiful eyes,
and the nice girly smile to soften me up?
|
| 02:25:15 | Get me to talk?
|
| 02:25:16 | Ha. of course, you doubt me-- you doubt everything.
|
| 02:25:19 | But that's not you speaking, six.
|
| 02:25:21 | That's your condition.
|
| 02:25:23 | My condition is that I'm being held here
against my will.
|
| 02:25:27 | ♪♪♪
|
| 02:25:29 | no harm must come to six.
|
| 02:25:30 | He must survive.
|
| 02:25:32 | But he can suffer.
|
| 02:25:33 | (dogs barking in distance)
They're after me.
|
| 02:25:36 | ♪♪♪
|
| 02:25:40 | (Six) I WANT OUT.
|
| 02:25:42 | (Two) YOU'VE TRIED THAT.
|
| 02:25:43 | There is no out.
|
| 02:25:46 | (quiet chuckling)
There is only in.
|
| 02:25:51 | ♪♪♪
|
| 02:25:55 | (Two) YOU REFUSE TO OPEN YOUR MIND
To the possibility that you're wrong.
|
| 02:25:59 | If I open my mind, you'll take it away from
me.
|
| 02:26:04 | We might.
|
| 02:26:05 | But we will always give it back.
|
| 02:26:09 | (70) Something happened in you, your memory.
|
| 02:26:15 | You can't cure your thinking with your thinking,
six.
|
| 02:26:18 | You have to hand it over.
|
| 02:26:22 | I see your fear, 70.
|
| 02:26:24 | You know you're a prisoner here just like
me.
|
| 02:26:27 | But you don't wanna know.
|
| 02:26:29 | Well, I refuse to become you.
|
| 02:26:32 | (313) The people here, they get on with it.
|
| 02:26:33 | But they're decent, ordinary people.
|
| 02:26:36 | (Six) WHAT IF THEY SPEAK OUT, THINK DIFFERENTLY?
|
| 02:26:39 | What kind of lives do they have then?
|
| 02:26:42 | Is there another place?
|
| 02:26:44 | There is.
|
| 02:26:44 | You gotta help me get out.
|
| 02:26:46 | They vanish.
|
| 02:26:48 | What do you mean, "they vanish"?
|
| 02:26:50 | They go for treatment. what treatment?
|
| 02:26:52 | (woman screaming) PLEASE, NO!
|
| 02:26:54 | (313) I don't ask.
|
| 02:26:55 | ♪♪♪
|
| 02:27:00 | something's coming.
|
| 02:27:02 | I can feel it.
|
| 02:27:03 | (313) Please, don't make things worse, six.
|
| 02:27:08 | ♪♪♪
|
| 02:27:09 | (radio announcer) ROLLING THROUGH TRAFFIC.
|
| 02:27:10 | It's the same on the g.w. as the jersey turnpike.
|
| 02:27:13 | It's hell on four wheels out there.
|
| 02:27:16 | Did you hear that?
|
| 02:27:18 | Hear what, man?
|
| 02:27:27 | ♪♪♪
|
| 02:27:28 | (Two) FAMILY IS THE GREATEST GIFT THE VILLAGE
Can give us.
|
| 02:27:32 | Where is the village?
|
| 02:27:34 | You want to know the truth?
|
| 02:27:36 | I want to go there, to the other place.
|
| 02:27:38 | The village is best for us.
|
| 02:27:41 | (Six) COME WITH US.
|
| 02:27:42 | Leave.
|
| 02:27:43 | I live here.
|
| 02:27:44 | The village is best for me.
|
| 02:27:47 | (Two) IT IS, AS IT IS...
|
| 02:27:50 | As it should be.
|
| 02:27:52 | ♪♪♪
|
| 02:27:54 | it's not necessary for me to believe.
|
| 02:27:57 | It is necessary for six to believe.
|
| 02:28:02 | Good morning, six.
|
| 02:28:03 | (giggling)
I'm 415.
|
| 02:28:08 | (Six) I FEEL LIKE I KNOW YOU ALREADY,
.. before the village.
|
| 02:28:15 | (Two) WE HAVE CHOICES,
So long as we can live with the consequences.
|
| 02:28:21 | Nine-o-nine here, he's an undercover.
|
| 02:28:23 | I want you work with 909, six.
|
| 02:28:26 | You think I'd work for you?
|
| 02:28:27 | I know you want to make contact with dreamers.
|
| 02:28:31 | I offer you the apparatus
and expertise of our highly trained
and well-financed undercover operations to
do just that.
|
| 02:28:40 | Why would you give me all that, if it wasn't
a trap?
|
| 02:28:44 | Oh, my dear six, it is a trap.
|
| 02:28:47 | I wondered if you would be clever enough
..
|
| 02:28:49 | Still.
|
