| 00:00:02 | (brakes screeching)
(gunshot)
(tires screeching)
Captioning sponsored by CBS PARAMOUNT NETWORK
Television
WhereisMcGee?
|
| 00:01:04 | I don't know.
|
| 00:01:05 | He's been n ting distractedlately.
|
| 00:01:07 | Gibbs is on his case.
|
| 00:01:09 | I have noticed.
|
| 00:01:10 | So, um,
did you knowSpecial Agent Patterson?
|
| 00:01:14 | Not really. Met him ina crime scene training
class
at FLETC. Seemed likea nice guy.
|
| 00:01:21 | Give McGee a call.
|
| 00:01:25 | Tell himwe're waiting.
|
| 00:01:26 | TONY:I have a message.
|
| 00:01:27 | WOMAN: Good afternoon, I'm calling
from Hubbard & Hubbard, solicitor's office...
|
| 00:01:30 | Sorry. There was an accidenton MacArthur.
|
| 00:01:32 | Let's go.
|
| 00:01:34 | That was strange.
|
| 00:01:35 | A law firm in Londonwants me to call.
|
| 00:01:38 | Says it's important.
|
| 00:01:40 | What could they want?
|
| 00:01:40 | I don't know. Maybe it'sabout my Uncle Clive.
|
| 00:01:43 | Remember that funeralI went to last month?
|
| 00:01:45 | Your uncle really died?
|
| 00:01:47 | I thought you weremaking that up
to get sometime off.
|
| 00:01:52 | Who do youthink I am?
|
| 00:01:53 | GIBBS:He was Agent Afloat on theGeorge Washington.
|
| 00:01:56 | It returned to Norfolktwo days ago.
|
| 00:01:59 | You notified Director Vance?
|
| 00:02:01 | Yeah. It's way after midnightin Singapore.
|
| 00:02:04 | I sent him an e-mail.
|
| 00:02:05 | (horn beeps)
(sighs)
Sorry, boss. Got hung upin traffic.
|
| 00:02:30 | ZIVA: 911 came fromthe pastry chef
at the restauranton the corner.
|
| 00:02:33 | He was in the kitchen
when he heard thescreech of tires. Ran out.
|
| 00:02:37 | Caught sight of adark-colored SUV racing
away.
|
| 00:02:40 | He did not hereany shots. Silencer?
|
| 00:02:43 | Or a small-caliber weaponthat doesn't make
much noise.
|
| 00:02:45 | ZIVA:Ducky said the entry wounds were small.
|
| 00:02:47 | Yeah. One shot was behindthe ear, close-range.
|
| 00:02:51 | Professional hit.
|
| 00:02:54 | Jethro, you might wantto take a look at this.
|
| 00:03:05 | Hey, DiNozzo, bring him in.
|
| 00:03:07 | Homeland Security.Got it. (dialing)
Tony, why'd you cover for me?
|
| 00:03:14 | Did I?
|
| 00:03:15 | This is Anthony DiNozzo, NCIS.
|
| 00:03:18 | Please call me back...
|
| 00:03:19 | Patterson never got a shot off. The mag's
full.
|
| 00:03:22 | Hey, boss, I reached his office.
|
| 00:03:24 | Voice mail. Left a message.
|
| 00:03:26 | DiNozzo, cell phone on the back of the card.
|
| 00:03:31 | Oh, good eye.
|
| 00:03:33 | (dialing) I don't know how I could have missed
that.
|
| 00:03:37 | Bartholomew Lemming, this is Special Agent
Anthony DiNozzo.
|
| 00:03:40 | I need you to stop by...
|
| 00:03:41 | Special Agent Gibbs, I got a woman
who insists on talking to you.
|
| 00:03:44 | Claims she's with NCIS. Real weirdo.
|
| 00:03:46 | Wearing a Dracula cape and dog collar.
|
| 00:03:50 | Like she'd be with you.
|
| 00:03:51 | She is.
|
| 00:03:53 | You serious?
|
| 00:03:54 | Oh, yeah. Let her in.
|
| 00:03:56 | Sorry about that.
|
| 00:03:59 | Go ahead.
|
| 00:04:02 | Abbs, what are you doing here?
|
| 00:04:04 | Is that him?
|
| 00:04:05 | Is that Jack Patterson?
|
| 00:04:07 | What are you doing here, Abby?
|
| 00:04:08 | This is terrible.
|
| 00:04:11 | Abby...
|
| 00:04:12 | This is all my fault.
|
| 00:04:15 | Gibbs, he was coming to see me.
|
| 00:04:54 | found
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|
| 00:06:08 | A had come up for a visit.
|
| 00:06:09 | Mom: so we took her to our olive garden.
|
| 00:06:11 | it was really cool just hanging out
-
the three of us.
|
| 00:06:14 | try our new manicotti formaggio
with shrimp in creamy carbonara sauce.
|
| 00:06:19 | Or with chicken in homemade parmesan sauce.
|
| 00:06:21 | Vo: only at olive garden.
|
| 00:07:15 | Agent Jack Patterson.
|
| 00:07:17 | It's not what I thought he'd look like.
|
| 00:07:19 | Said you knew him.
|
| 00:07:20 | We had a very special phone relationship.
|
| 00:07:24 | He would mail me forensic evidence,
I'd e-mail him back results.
|
| 00:07:27 | He'd call me, I'd call him.
|
| 00:07:30 | He never forgot my birthday... like you did
last year.
|
| 00:07:35 | I don't know. It's his voice.
|
| 00:07:37 | He sounded... shorter,
blonder, with a mustache.
|
| 00:07:43 | You got all that from his voice, Abbs?
|
| 00:07:45 | You sounded different when you had a mustache.
|
| 00:07:54 | Well, why was he coming to see you?
|
| 00:07:56 | He said he wanted to show me something.
|
| 00:07:59 | What?
|
| 00:08:01 | I don't know.
|
| 00:08:03 | He wanted to meet up last night.
|
| 00:08:06 | And I... I put him off.
|
| 00:08:08 | I told him to come this morning.
|
| 00:08:12 | Gibbs, if... if I had just
met up with him last night,
he'd probably be alive right now.
|
| 00:08:24 | Oh, well, it's a little after 10:00
in the morning here.
|
| 00:08:27 | I can be reached on my cell at any time.
|
| 00:08:29 | You did write that number down?
|
| 00:08:30 | Good. Tell Mr. Hubbard
that I anxiously await his call,
and you have yourself a very nice day or
night,
or whatever time it is there.
|
| 00:08:40 | (mimics English accent): Okay, cheerio.
|
| 00:08:43 | (laughs)
I suppose that was for my benefit.
|
| 00:08:47 | Okay, I'll bite.
|
| 00:08:49 | Uh, are you in the will?
|
| 00:08:53 | McProbie, we can only assume, right?
|
| 00:08:58 | That was his secretary. Mr. Hubbard,
my great-uncle's solicitor wasn't available,
but she did confirm that he represents Uncle
Clive's estate.
|
| 00:09:10 | Clive DiNozzo.
|
| 00:09:12 | Clive Paddington. It's my mother's side.
|
| 00:09:15 | We talking big money?
|
| 00:09:18 | Huge money! (laughs)
I mean, Jed Clampett money.
|
| 00:09:23 | I'm talking Texas gold.
|
| 00:09:24 | It's actually North Sea oil money.
|
| 00:09:27 | I take it you were close to the old gent.
|
| 00:09:30 | I spent my 17th summer in Blighty.
|
| 00:09:32 | Uncle Clive was my mentor.
|
| 00:09:33 | Kind of like Al Pacino and Chris O'Donnell
in Scent of a Woman.
|
| 00:09:38 | Whoo-ah!
|
| 00:09:39 | Guessing the opposite sex was involved.
|
| 00:09:42 | He could sniff out a gorgeous woman
and close the deal faster than anyone I ever
met.
|
| 00:09:46 | DiNozzo, I'm more concerned about closing
that case.
|
| 00:09:48 | I'm working on it, boss.
|
| 00:09:53 | Uh, right. Um...
|
| 00:09:54 | TheGeorge Washingtonreturned from a six-month
deployment
to South and Central America.
|
| 00:10:00 | Special Agent Patterson
was still living on board in Norfolk.
|
| 00:10:03 | Was looking for an apartment.
|
| 00:10:04 | No one knew he left the ship and was in D.C.
|
| 00:10:06 | Ten years in the Navy, joined NCIS in '98.
|
| 00:10:09 | He had a setback in 2003.
|
| 00:10:11 | Spent some time on the beach for use of excessive
force.
|
| 00:10:15 | Never married. Only immediate family:
a mother and a sister living in Wheeling,
West Virginia.
|
| 00:10:19 | Special Agent Gibbs,
Bartholomew Lemming, Homeland Security.
|
| 00:10:22 | Call me Bart, Agent Gibbs.
|
| 00:10:24 | Anthony DiNozzo.
|
| 00:10:25 | We're in the conference room.
|
| 00:10:29 | (phone ringing)
Oh-ho! Oh.
|
| 00:10:34 | My life is about to change.
|
| 00:10:36 | Thinks he's about to inherit a fortune.
|
| 00:10:38 | (scoffs)
Anthony DiNozzo.
|
| 00:10:44 | Oh, yeah.
|
| 00:10:46 | Oh, yeah.
|
| 00:10:48 | Okay, as soon as I can. Sorry.
|
| 00:10:50 | Blockbuster.Rosemary's Baby, it's overdue.
|
| 00:10:55 | I met Jack Patterson
shortly after I joined Homeland Security.
|
| 00:10:59 | I was assigned to Customs Border Protection
Division.
|
| 00:11:02 | He was working out of the NCIS Resident Agency
in Yuma, Arizona, so we coordinated
on incursions and smuggling cases.
|
| 00:11:09 | When was the last time you heard from him?
|
| 00:11:12 | He left me a message last night.
|
| 00:11:14 | I was gonna call him
when I got to the office this morning.
|
| 00:11:18 | Said he was working a case
and he found something he wanted to show
me. Yeah?
|
| 00:11:21 | What did he want to show you?
|
| 00:11:24 | Mm-mnh.
|
| 00:11:25 | What's he working on?
|
| 00:11:26 | I don't know.
|
| 00:11:28 | Jack and I were friendly in Yuma.
|
| 00:11:31 | You know how it goes.
|
| 00:11:32 | We lost contact with one another.
|
| 00:11:34 | How did he die?
|
| 00:11:36 | Shot. Think he was on his way here.
|
| 00:11:39 | And he had my business card in his hand.
|
| 00:11:40 | Why?
|
| 00:11:43 | You tell me.
|
| 00:11:46 | We had some good times.
|
| 00:11:50 | Jack could put them down.
|
| 00:11:51 | He knew how to party.
|
| 00:11:52 | We were single then.
|
| 00:11:54 | Took the plunge last year.
|
| 00:12:00 | What can I do to help?
|
| 00:12:03 | I don't know yet.
|
| 00:12:04 | You have my cell number.
|
| 00:12:05 | That's the best way to reach me.
|
| 00:12:07 | I'm in the field this week.
|
| 00:12:08 | Well, Joint Threat Assessment Task force
with the FBI.
|
| 00:12:11 | I wish you luck with that.
|
| 00:12:15 | (chuckles)
Um, hey.
|
| 00:12:41 | You know, we always said that, um, we would
meet someday.
|
| 00:12:46 | This isn't exactly what I expected.
|
| 00:12:49 | God, this is awkward.
|
| 00:12:52 | Um...
|
| 00:12:53 | when you called me last night, you sounded,
uh,
you know, excited.
|
| 00:12:59 | Said you had to see me.
|
| 00:13:01 | I thought you meant a date.
|
| 00:13:04 | I mean, did you want to go out, or was it
something else?
|
| 00:13:11 | Was I just jumping to conclusions?
|
| 00:13:12 | I... God, I didn't know what to say to Gibbs.
|
| 00:13:20 | Oh, no, are you behind me, Gibbs?
|
| 00:13:24 | You flatter me, Abby.
|
| 00:13:27 | There was just... there was something I needed
to ask Special Agent Patterson.
|
| 00:13:32 | Abby...
|
| 00:13:33 | What?
|
| 00:13:34 | You talk to dead people all the time.
|
| 00:13:37 | Well, I have my reasons.
|
| 00:13:39 | Their bodies tell me a great deal.
|
| 00:13:42 | It helps to reciprocate.
|
| 00:13:46 | But we have work to do.
|
| 00:13:57 | I need the slugs.
|
| 00:14:00 | You'll get them...
|
| 00:14:02 | in due time.
|
| 00:14:04 | (pats shoulder)
WEIDMAN: Patterson was supposed to be finishing
up paperwork
on the deployment.
|
| 00:14:09 | I have no idea why he was in Washington.
|
| 00:14:12 | He's NCIS--
don'tyouknow?
|
| 00:14:14 | Anything unusual happen during the deployment?
|
| 00:14:16 | Well, 6,500 men and women,
six months, seven tropical ports-- the usual.
|
| 00:14:21 | Alcohol, fighting, petty thefts.
|
| 00:14:22 | All in Patterson's daily activity log-- nothing
major.
|
| 00:14:26 | Excuse me, Commander?
|
| 00:14:28 | Yes?
|
| 00:14:29 | Could you identify these photos?
|
| 00:14:30 | It's the last file Patterson opened yesterday
afternoon.
|
| 00:14:33 | These images were downloaded from a digital
camera.
|
| 00:14:36 | TONY: Ooh.
|
| 00:14:36 | Nine tac, 35 tac, six tac A.
|
| 00:14:38 | That would be a forward port-side storage
area.
|
| 00:14:42 | I spent four glorious months aboard theSeahawk.
|
| 00:14:45 | It was a rewarding experience.
|
| 00:14:47 | This part of an investigation, Commander?
|
| 00:14:49 | WEIDMAN: Hey, it's a big ship,
on a cruise to South America.
|
| 00:14:53 | A misguided sailor might think
he'll be able to smuggle drugs aboard.
|
| 00:14:58 | I'm not getting a signal down here.
|
| 00:15:00 | You expecting a call, DiNozzo?
|
| 00:15:02 | They'll leave a message.
|
| 00:15:03 | Patterson and I worked well together.
|
| 00:15:06 | He understood the demands
on the X.O.
|
| 00:15:08 | Usually didn't come to me until he had something.
|
| 00:15:19 | (clears throat)
Wow, if you were thinking of smuggling something,
this would be the perfect hiding place.
|
| 00:15:26 | Check it out.
|
| 00:15:28 | Uh, boss, it's, it's pretty late.
|
| 00:15:31 | This could take hours,
and then it's a long drive back tWashington.
|
| 00:15:35 | Well, most of the crew's on leave.
|
| 00:15:36 | You'll find a place to bunk.
|
| 00:15:39 | Oh, perfect.
|
| 00:15:41 | 22-caliber.
|
| 00:15:43 | This one's in pristine shape.
|
| 00:15:45 | I like pristine.
|
| 00:15:47 | ROY: Hey, Abby.
|
| 00:15:49 | Ziva.
|
| 00:15:50 | Hey, Roy.
|
| 00:15:51 | Ah, U.S. mail.
|
| 00:15:53 | You mean overnight carrier.
|
| 00:15:55 | No, no, U.S. mail.
|
| 00:15:56 | Someone dropped this in the mailbox.
|
| 00:15:58 | No postage.
|
| 00:15:59 | 'Cause it was addressed to NCIS,
the postal inspector gave us a call.
|
| 00:16:02 | It's addressed to me?
|
| 00:16:04 | Well, you could say that.
|
| 00:16:05 | It's a credit card receipt.
|
| 00:16:11 | It's Jack Patterson.
|
| 00:16:13 | Did the, um, postal inspector say
where it was mailed from?
|
| 00:16:17 | Um... 400 block of K Street.
|
| 00:16:22 | That's where Patterson was killed.
|
| 00:16:24 | So... he knew he was in jeopardy,
and his last desperate act was to mail this?
|
| 00:16:29 | He wanted this to get to me even he didn't.
|
| 00:16:42 | He died getting methis?
|
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|
| 00:19:09 | that's when I'd had it with heartburn.
|
| 00:19:11 | It was supposed to be the night I would hook
mr. right.
|
| 00:19:13 | I mean look at him - he is really bringing
it.
|
| 00:19:18 | And look at me - I'm blank.
|
| 00:19:20 | I got nothing.
|
| 00:19:21 | That's when I had it with frequent heartburn.
|
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|
| 00:20:38 | There has to be a reason he sent it to you.
|
| 00:20:41 | I don't know.
|
| 00:20:43 | I mean, maybe he guessed
the little girl looked like me, or...
|
| 00:20:46 | No, that's... stupid.
|
| 00:20:47 | I-I don't know.
|
| 00:20:48 | You ever talk about art?
|
| 00:20:52 | When you weren't talking
about forensic evidence,
what'd you talk about?
|
| 00:20:55 | Well, that's personal, Gibbs.
|
| 00:20:56 | I feel like you're interrogating me.
|
| 00:20:57 | I am.
|
| 00:21:01 | Okay, she's reading a book.
|
| 00:21:03 | The book got a title?
|
| 00:21:09 | No.
|
| 00:21:10 | Abby, Patterson died
getting this to you.
|
| 00:21:12 | I know.
|
| 00:21:14 | This is totally weirding me out.
|
| 00:21:15 | All right, you said you had a match on the
slug.
|
| 00:21:18 | Yeah.
|
| 00:21:20 | (sighs): Okay.
|
| 00:21:21 | The one on the left is one that Ducky took
from Patterson.
|
| 00:21:25 | I ran it through the NIBIN database.
|
| 00:21:27 | It's an exact match to the one on the right,
which was used...
|
| 00:21:32 | in the unsolved murder
of a businessman in Scottsdale, Arizona,
two years ago.
|
| 00:21:39 | (whistling a tune)
MAN OVER P.A.: Chief Engineering Officer
Santori...
|
| 00:21:45 | (keypad beeping)
(buzzing)
McGee?
|
| 00:21:52 | (clatter in distance)
Ow!
|
| 00:21:56 | (groans)
(chuckles)
Hey.
|
| 00:22:02 | What are you doing in there?
|
| 00:22:04 | Our jobs.
|
| 00:22:05 | I'm looking for contraband.
|
| 00:22:08 | I found this.
|
| 00:22:09 | You are looking good.
|
| 00:22:11 | What have we here?
|
| 00:22:14 | We?
|
| 00:22:14 | Where were you while I'm down there banging
my head, huh?
|
| 00:22:17 | Skinning my knees?
|
| 00:22:18 | I was up on the flight deck,
trying to get a cell signal.
|
| 00:22:21 | I've been playing phone tag
with Uncle Clive's solicitor.
|
| 00:22:25 | Screw your Uncle Clive.
|
| 00:22:26 | You haven't done anything all morning.
|
| 00:22:28 | Whoa, whoa.
|
| 00:22:30 | What's with you, McCranky?
|
| 00:22:32 | You need to chill-ax.
|
| 00:22:33 | You want me to chill-ax? You want me to chill-ax?
|
| 00:22:36 | I will chill-ax when you tell me that you
have done something!
|
| 00:22:40 | I have done something.
|
| 00:22:42 | I went over Special Agent Patterson's
e-mails and daily activity log.
|
| 00:22:47 | Four days ago,
he did a background check
on a Seaman Richard Zell.
|
| 00:22:51 | He's had him under surveillance since Panama.
|
| 00:22:53 | Zell... is one of only three people
with the access code to this storage bay.
|
| 00:22:59 | Where's Seaman Zell now?
|
| 00:23:00 | Well, according to the ship's duty roster
log,
he's due back on board in an hour.
|
| 00:23:09 | You make anything of it?
|
| 00:23:11 | Yeah. I'm aware of the artist.
|
| 00:23:13 | Dina Risi.
|
| 00:23:14 | I admired her work in Yuma.
|
| 00:23:16 | I should've bought it then; I can't afford
it now.
|
| 00:23:18 | Any idea why Patterson would've sent it to
our lab?
|
| 00:23:20 | I've been trying to make a connection between
the painting and Jack,
but I can't.
|
| 00:23:24 | ZIVA: That was a Scottsdale
homicide detective-- it made his day when
I told him
the weapon that killed Special Agent Patterson
was the same one that was used
in the murder of a local businessman by the
name of...
|
| 00:23:35 | Hamilton Cooper.
|
| 00:23:36 | They have not had any movement
on the case in the past two years.
|
| 00:23:40 | He is e-mailing me their case file.
|
| 00:23:41 | You think Patterson's death had anything
to do
with the time he and I were stationed in
Yuma?
|
| 00:23:45 | Do you?
|
| 00:23:47 | Well, we did some joint operations.
|
| 00:23:49 | I'll make some phone calls, go back through
the files, see what I can dig up.
|
| 00:23:56 | Uncle Clive's primary residence
is this manor house that's just outside of
Henley on Thames.
|
| 00:24:02 | You have to come
and visit sometime.
|
| 00:24:04 | In the summer,
they have these, uh, annual regattas.
|
| 00:24:07 | (affected accent): It's absolutely smashing.
|
| 00:24:09 | Tony, shut up.
|
| 00:24:10 | What I wouldn't give for a sock full of horse
manure.
|
| 00:24:15 | La-di-da! Look at you, fancy-pants-movie-reference.
|
| 00:24:19 | Annie Hall, 1977.
|
| 00:24:20 | Really Woody Allen's best.
|
| 00:24:21 | Hey, did I tell you about Clive's, uh,
muse in London?
|
| 00:24:25 | Really, do you have any idea
how insufferable you are?
|
| 00:24:30 | What are you doing? Hey.
|
| 00:24:31 | You're dripping paint all over the place.
|
| 00:24:34 | McGEE: Look, you see
what you're doing there?
|
| 00:24:36 | Look at what I'm doing, okay?
|
| 00:24:38 | Watch. You do...
|
| 00:24:39 | even strokes.
|
| 00:24:41 | You see that?
|
| 00:24:41 | Uh-huh. Nice, even strokes.
|
| 00:24:45 | We're pretend painting, McGoo.
|
| 00:24:49 | Whoa.
|
| 00:24:50 | Keep that away from me.
|
| 00:24:56 | (keypad beeping)
(buzzing, door opens)
(door closes)
(keypad beeping)
(door opens)
Hi.
|
| 00:25:20 | Ncis.
|
| 00:25:22 | Put your hands behind your head,
spread your legs.
|
| 00:25:27 | (grunts)
TONY: Oh, God!
|
| 00:25:30 | (yells)
God!
|
| 00:25:33 | I don't need this crap!
|
| 00:25:34 | I'm about to be a very wealthy man.
|
| 00:25:37 | (exhales): Oh.
|
| 00:25:39 | ABBY: I fumed it with cyanoacrylate.
|
| 00:25:41 | There's dozens of prints.
|
| 00:25:42 | So far I've been able to I.D. two:
Special Agent Patterson and Roy from our
mailroom.
|
| 00:25:48 | So many prints, so little time.
|
| 00:25:50 | But...
|
| 00:25:51 | I tried something else.
|
| 00:25:53 | How long do you think
it takes ballpoint pen ink to dry?
|
| 00:25:56 | Like, really, really dry.
|
| 00:25:58 | Abbs.
|
| 00:25:58 | Four to five days.
|
| 00:26:00 | I removed the clear plastic window
from the carton, and I coated the inside
with a solvent,
lifting the ink residue left
by the original sender's mailing label.
|
| 00:26:07 | I heat-transferred it to a clean piece of
paper,
then I scanned it...
|
| 00:26:15 | What's it say? I can't make it out.
|
| 00:26:17 | I'm not done yet, Gibbs.
|
| 00:26:18 | And I ran it through
an enhancement program.
|
| 00:26:22 | The package was sent to Patterson
from the artist, Dina Risi.
|
| 00:26:26 | And there's her phone number.
|
| 00:26:27 | Well, give yourself an atta-girl.
|
| 00:26:29 | Atta-girl. Atta-girl.
|
| 00:26:31 | You get anywhere with the painting?
|
| 00:26:34 | Never enough for you, Gibbs, is it?
|
| 00:26:36 | Went right to voice mail-- she's got her
phone turned off.
|
| 00:26:49 | You know we've got you for drugs...
|
| 00:26:52 | and assaulting a Federal officer.
|
| 00:26:55 | (exhales)
So why don't you tell me what was going down
between you and Agent Patterson.
|
| 00:27:04 | Yeah, I punched him.
|
| 00:27:06 | Yeah.
|
| 00:27:07 | Yeah, the coke is mine.
|
| 00:27:09 | But I told you, it's a big ship,
I didn't know Patterson.
|
| 00:27:13 | TONY: Well, he knew you.
|
| 00:27:15 | Had you under surveillance since the ship
left Panama.
|
| 00:27:18 | He may have killed Special Agent Patterson,
but Seaman Zell
could not have killed the Arizona businessman.
|
| 00:27:23 | According to his service records,
he was aboard a frigate
on his way to the Persian Gulf at the time
of the murder.
|
| 00:27:29 | TONY: Tell me why you didn't.
|
| 00:27:31 | I was just trying to make a couple bucks.
|
| 00:27:34 | Could you live on an E-3 salary?
|
| 00:27:36 | What did you pay for the coke?
|
| 00:27:38 | $2,000.
|
| 00:27:39 | I'm going home to Brooklyn on leave next
week.
|
| 00:27:41 | On the street, I can get 20.
|
| 00:27:44 | Well, you'll be lucky if you get 25... years...
|
| 00:27:48 | for murder.
|
| 00:27:50 | Boss, his alibi for yesterday morning checks
out.
|
| 00:27:54 | Patterson was shot at 5:40 a.m.
|
| 00:27:57 | 30 minutes later, Seaman Zell
was withdrawing
$40 from an ATM
on the base at Norfolk. That's 200 miles
away.
|
| 00:28:04 | Even you couldn't drive that fast, boss.
|
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| 00:28:24 | Luxury you cansee and feel.
|
| 00:30:15 | (announcer)
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|
| 00:30:21 | Dentist inspired cupping action
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|
| 00:30:26 | Oral-b rechargeable brushes.
|
| 00:30:27 | Starting at $22.
|
| 00:32:31 | Based on the amount of drugs involved,
we're pretty sure that Seaman Zell was working
alone.
|
| 00:32:35 | So I don't have a serious smuggling problem
aboard theWashington.
|
| 00:32:39 | A new NCIS Agent
will be assigned this week.
|
| 00:32:42 | He'll follow up.
|
| 00:32:43 | What's to follow up?
|
| 00:32:44 | I thought you said Seaman Zell didn't have
any connection to Special Agent Patterson's
death.
|
| 00:32:48 | It's an ongoing investigation.
|
| 00:32:51 | We're returning him to your command.
|
| 00:32:54 | Suggest you put him in pre-trial confinement.
|
| 00:33:01 | TONY: He say anything?
|
| 00:33:02 | Feel like the guy's got an agenda?
|
| 00:33:04 | What do we got?
|
| 00:33:04 | McGee, tell him about the e-mail.
|
| 00:33:06 | Doesn't sound like Patterson shared Commander
Weidman's
feelings about them working well together.
|
| 00:33:10 | Patterson told the captain in an e-mail
that he felt Weidman was
obstructing some of his investigations.
|
| 00:33:15 | Got a call into the captain.
|
| 00:33:16 | ZIVA: Gibbs, Dina Risi,
the artist, she's starting to be recognized
outside Arizona.
|
| 00:33:21 | Had a showing in San Francisco in December.
|
| 00:33:23 | She specializes in landscapes.
|
| 00:33:25 | She grew up in Italy, studied art in Milan,
moved to Arizona about ten years ago.
|
| 00:33:29 | Dina Risi's always been
very outspoken on ecological issues.
|
| 00:33:32 | I did talk to the local sheriff--
guy by the name of Clay Boyd.
|
| 00:33:37 | (imitating Boyd): And he said that he was
looking for her,
but she, well, she just disappeared.
|
| 00:33:42 | Disappeared?
|
| 00:33:43 | Disappeared.
|
| 00:33:44 | Like she just fell off the face of the earth.
|
| 00:33:47 | He talks just like that.
|
| 00:33:48 | That's how he talks.
|
| 00:33:49 | (normal voice): I won't though.
|
| 00:33:50 | Says that she has
a remote, mountain retreat where likes to
go and paint,
but he doesn't know where it is.
|
| 00:33:55 | Find it, McGee.
|
| 00:33:56 | Think I did, boss.
|
| 00:33:57 | I only used Risi paintings
that have distinctive geographical landmarks.
|
| 00:34:00 | Compared them to Google Earth satellite images.
|
| 00:34:02 | These locations correspond to backgrounds
in her paintings.
|
| 00:34:05 | They're all within a four-mile radius of
Mount Pinos.
|
| 00:34:07 | Searched the area, only found one structure.
|
| 00:34:10 | This was taken six months ago.
|
| 00:34:12 | Good. See if she's there.
|
| 00:34:13 | Piece of cake, Probie.
|
| 00:34:17 | ZIVA: Ooh.
|
| 00:34:18 | A Ferrari.
|
| 00:34:21 | 599 Gtb.
|
| 00:34:22 | You are counting your eggs before they are
laid.
|
| 00:34:26 | Operative word is "laid."
Wouldn't drink that.
|
| 00:34:35 | Sure I've had worse.
|
| 00:34:38 | What do you have?
|
| 00:34:39 | I think I know who's at the center of this.
|
| 00:34:41 | Dina Risi, the artist.
|
| 00:34:42 | Get this: I talked to a bartender at a place
Jack and I used to hang.
|
| 00:34:46 | After I left Arizona,
Jack used to come in with her.
|
| 00:34:48 | Bartender hinted they were a lot more than
just friends.
|
| 00:34:51 | Might explain why Dina Risi sent Patterson
the painting.
|
| 00:34:54 | You talk to her yet?
|
| 00:34:55 | No. She went into hiding.
|
| 00:34:56 | We may have a location though.
|
| 00:34:58 | Mount Pinos.
|
| 00:35:00 | That's the badlands.
|
| 00:35:02 | Good luck finding her up there.
|
| 00:35:09 | I'm e-mailing the lawyer in London.
|
| 00:35:11 | All right? The suspense is killing me.
|
| 00:35:14 | I did not ask.
|
| 00:35:16 | Um, I have
the Scottsdale Police report
on the murder of Hamilton Cooper, the local
businessman.
|
| 00:35:20 | Anything?
|
| 00:35:21 | Yes. (typing)
He was worth $20 million.
|
| 00:35:25 | Investigators suspected
his wife hired a hit man.
|
| 00:35:28 | She was conveniently out of town.
|
| 00:35:30 | Shooter used a .22.
|
| 00:35:31 | Multiple hits to the body.
|
| 00:35:32 | One to the head, right behind the ear.
|
| 00:35:35 | Just like Patterson.
|
| 00:35:36 | Well, I guess that lets Commander Weidman
off the hook.
|
| 00:35:39 | Ooh.
|
| 00:35:41 | Boss.
|
| 00:35:41 | Tasked an NSA satellite.
|
| 00:35:42 | I got an infrared image of the cabin here.
|
| 00:35:48 | Heat signature
from the fireplace.
|
| 00:35:50 | Somebody's there.
|
| 00:35:51 | Ziva, you and McGee work the case from here.
|
| 00:35:54 | DiNozzo, go home, pack.
|
| 00:35:55 | Where am I going?
|
| 00:35:56 | We're going to Arizona.
|
| 00:35:58 | Okay. (groans)
Arizona and I don't get along.
|
| 00:36:04 | ♪ If kick tomorrow, would you stick with
me? ♪
|
| 00:36:08 | ♪Ooh, ooh, ooh, ooh♪
|
| 00:36:11 | ♪ I know I'm not as straight as I would like
to be ♪
|
| 00:36:15 | ♪Ooh, ooh, ooh, ooh♪
|
| 00:36:18 | ♪ And though it's hard enough as it is ♪
|
| 00:36:25 | ♪ Tomorrow still comes... ♪
|
| 00:36:28 | Sheriff Boyd?
|
| 00:36:30 | Yes, sir.
|
| 00:36:31 | Special Agent Gibbs, NCIS.
|
| 00:36:35 | Hey. Special Agent DiNozzo.
|
| 00:36:37 | How are you?
|
| 00:36:38 | DiNozzo.
|
| 00:36:39 | Is that an Italian name?
|
| 00:36:40 | What?
|
| 00:36:42 | Any word on Dina Risi?
|
| 00:36:44 | Nope.
|
| 00:36:45 | We tried all our sources.
|
| 00:36:46 | No one seems to know where she went.
|
| 00:36:48 | You know her?
|
| 00:36:48 | Well, I met her. She was chained to a tree.
|
| 00:36:51 | I was the one with the bolt cutters and handcuffs.
|
| 00:36:53 | (chuckles)
Let me show you where we're
aiming to go, Sheriff.
|
| 00:36:58 | We think she's in a small cabin in, uh, this
area here.
|
| 00:37:02 | Are you expecting to go to a dance
while you're here in town, Agent DiNozzo?
|
| 00:37:10 | (chuckles)
Why don't we take our four-wheeler.
|
| 00:37:13 | You know, the rental.
|
| 00:37:14 | You can't get up there in a vehicle.
|
| 00:37:16 | Only way to get up there is horses.
|
| 00:37:19 | Why don't we just requisition a helicopter?
|
| 00:37:22 | Or not.
|
| 00:37:23 | If the government
spent that kind of money every time
they interviewed somebody, government would
go broke, huh?
|
| 00:37:29 | The government is broke.
|
| 00:37:33 | That was security.
|
| 00:37:34 | Bart Lemming is on his way up.
|
| 00:37:35 | Oh, maybe he's got something for us.
|
| 00:37:37 | (phone ringing)
That could be London.
|
| 00:37:42 | Answer it.
|
| 00:37:43 | What, and have Tony harass me some more
about my message-taking skills?
|
| 00:37:47 | No, thank you.
|
| 00:37:48 | I'll get it.
|
| 00:37:49 | Why? You're gonna
tell them he's not here,
they're not gonna tell you anything.
|
| 00:37:54 | (Ziva sighs)
I think you are jealous Tony's going to inherit
money.
|
| 00:37:58 | No, I just think that it could change him.
|
| 00:38:00 | Which in Tony's case would be a good thing.
|
| 00:38:03 | Unless he becomes more...
|
| 00:38:05 | Tony-ish.
|
| 00:38:07 | I see your concern.
|
| 00:38:08 | But you did not change
when your books made you plush.
|
| 00:38:11 | Flush.
|
| 00:38:12 | Thanks, Ziva, but it really wasn't that much.
|
| 00:38:14 | I bought my car, bought some clothes.
|
| 00:38:17 | What was left over, I put in a hedge fund
which just crashed.
|
| 00:38:20 | Sorry.
|
| 00:38:21 | That is why you've been so distracted lately.
|
| 00:38:24 | It shows, huh?
|
| 00:38:26 | Whoa. Easy.
|
| 00:38:31 | (grunting)
You ever saddled a horse, DiNozzio?
|
| 00:38:36 | Me?
|
| 00:38:37 | Saddle?
|
| 00:38:39 | Uh... uh...
|
| 00:38:41 | No, not really.
|
| 00:38:42 | You have ridden, ain't you?
|
| 00:38:44 | Sure. Oh, yeah.
|
| 00:38:46 | Eighth birthday party.
|
| 00:38:47 | Pony rides and-and, uh, stuff like that.
|
| 00:38:51 | Well, this should be interesting.
|
| 00:38:52 | (chuckles): Yeah. Give me that. Give me that.
|
| 00:38:55 | Here you go. I got it.
|
| 00:38:56 | Oh, it's a lot of leather.
|
| 00:38:58 | Here we go.
|
| 00:38:58 | I'm looking for Special Agent DiNozzo.
|
| 00:39:01 | He is away from the office right now.
|
| 00:39:04 | He left me a message while I was on vacation,
said it was urgent.
|
| 00:39:09 | I returned his call, but I haven't
heard from him. And you are?
|
| 00:39:12 | Oh.
|
| 00:39:17 | (cell phone ringing)
(neighs) Ooh.
|
| 00:39:20 | (phone beeps on)
GIBBS: Yeah. Gibbs.
|
| 00:39:22 | Boss, we've got a problem.
|
| 00:39:24 | Um, Bartholomew Lemming from OHS is here.
|
| 00:39:27 | What's the problem?
|
| 00:39:28 | It's the real Bartholomew Lemming.
|
| 00:39:30 | The guy that we've been dealing with
is an imposter.
|
| 00:39:40 | - well, my daughter,her
..
|
| 00:39:45 | And the local anchorman have been telling
me to go green.
|
| 00:39:47 | - The polar bears, daddy.- but I'm not sold.
|
| 00:39:50 | Well, the money you'll save with this washing
machine will pay for the dryer.
|
| 00:39:55 | Why didn't one of you tell me th?
|
| 00:39:57 | This just in.
|
| 00:39:58 | ..
|
| 00:40:00 | Will pay for the dryer.
|
| 00:40:01 | ..
|
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|
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|
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|
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|
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|
| 00:40:22 | Select harvest,
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|
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|
| 00:40:44 | Let's break it down.
|
| 00:40:45 | One appetizerto share.
|
| 00:40:47 | Two entrees
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|
| 00:40:49 | This deal could
..the...way!
|
| 00:40:53 | 2 For $20.
|
| 00:40:54 | Only at applebee's.
|
| 00:40:57 | ♪ ♪
|
| 00:41:01 | [ laughter ]
♪ ♪
|
| 00:41:06 | ♪ too much talking 'bout
the next time, the next time ♪
|
| 00:41:12 | well-informed people are considering chevy
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|
| 00:41:15 | You a cop?
|
| 00:41:16 | No.
|
| 00:41:17 | You didn't hear from me, but this malibu
is a best buy.
|
| 00:41:20 | I heard that from consumers digest.
|
| 00:41:22 | It offers better highway mileage
than a comparable camry or accord.
|
| 00:41:25 | I saw that on the epa
site.
|
| 00:41:28 | So how come the malibu costs so little.
|
| 00:41:32 | It's a chevy.
|
| 00:41:33 | You have cop hair.
|
| 00:41:35 | The award-winning chevy malibu.
|
| 00:41:37 | Compare it to anyone and may the best car
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|
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|
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|
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|
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|
| 00:43:31 | At kaiser permanente,
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|
| 00:43:38 | Kaiser permanente.thrive.
|
| 00:43:48 | He planted the business card on his body,
knowing
whoever investigated the murder would call.
|
| 00:43:53 | Yeah. Well, we did.
|
| 00:43:54 | And I briefed him on the investigation.
|
| 00:43:57 | Well, the guy's good, boss.
|
| 00:43:58 | Probably knew Lemming was on vacation.
|
| 00:44:01 | It's like Nicholson in Chinatown,you know?
|
| 00:44:03 | He used a stolen business card to make
everyone think he was from
the Department of Water and Power.
|
| 00:44:07 | Maybe he left his print on the card.
|
| 00:44:10 | Abby's on it.
|
| 00:44:11 | McGee's running facial recognition
against NCIS security videos.
|
| 00:44:16 | Let's go!
|
| 00:44:20 | Ex-Excuse me, boss.
|
| 00:44:24 | Hey, hey, no, no, no.
|
| 00:44:25 | Come on around here.
|
| 00:44:27 | Is there a step ladder or anything?
|
| 00:44:30 | No. Go ahead, get up.
|
| 00:44:34 | No, left foot.
|
| 00:44:34 | DiNozzo, come on!
|
| 00:44:35 | I'm on my way, boss.
|
| 00:44:37 | You don't want to get on his bad side, do
you?
|
| 00:44:40 | You're a good judge of character, Sheriff.
|
| 00:44:42 | Oh, boy.
|
| 00:44:47 | (grunting)
There you go.
|
| 00:44:49 | (sighs)
Oh! He's going.
|
| 00:44:52 | He's going.
|
| 00:44:53 | Uh-oh.
|
| 00:44:55 | Oh, no! Sheriff...
|
| 00:44:57 | I think he lost a contact.
|
| 00:44:59 | ABBY: We X-rayed the painting that Patterson
gave me,
but we couldn't get a clear image.
|
| 00:45:03 | It was foggy.
|
| 00:45:04 | Did it four times; thought it was the equipment.
|
| 00:45:07 | I was about to call the technician...
|
| 00:45:09 | Then I got an idea.
|
| 00:45:16 | (clicking)
Radioactive.
|
| 00:45:19 | It's the paint.
|
| 00:45:21 | Dina Risi goes to
the extremes of mixing her paints and pigments
with indigenous substances,
much like the Mayans did.
|
| 00:45:27 | ABBY: She used clay containing
metallic elements occurring in pitchblende--
also referred to as uraninite--
which is processed into
purified uranium dioxide, UO2--
also used in manufacturing...
|
| 00:45:40 | Nuclear weapons.
|
| 00:45:42 | Gibbs's satellite.
|
| 00:45:44 | I already tried calling him.
|
| 00:45:46 | You're not gonna get ahold of him.
|
| 00:45:48 | It's ringing.
|
| 00:45:52 | Gibbs!
|
| 00:45:53 | It's not the painting, it's the paint.
|
| 00:45:55 | The little girl, the dead steer, the book,
none of it means anything.
|
| 00:45:58 | I mean, well, I'm sure it meant
something to the artist, but...
|
| 00:46:01 | Abs. Abby.
|
| 00:46:01 | Slow down. What are you trying to say?
|
| 00:46:03 | Patterson.
|
| 00:46:04 | The painting that he sent me.
|
| 00:46:06 | It wasn't about the image.
|
| 00:46:08 | The paint is radioactive.
|
| 00:46:10 | Uraninite, used to make nuclear weapons.
|
| 00:46:12 | Dina Risi, she must have known.
|
| 00:46:14 | That's why she sent the painting to Patterson.
|
| 00:46:17 | Transfer me to McGee.
|
| 00:46:19 | Hey, boss.
|
| 00:46:21 | Hey.
|
| 00:46:22 | I haven't heard from you.
|
| 00:46:23 | Well, we're still running
facial recognition on the fake Bartholomew
Lemming.
|
| 00:46:27 | Uh, I am going to expand the search to Interpol.
|
| 00:46:30 | But based on your suggestion,
we did lift a right forefinger and thumbprint
from the carafe our imposter used
in the conference room. Did you get a hit?
|
| 00:46:37 | No. He doesn't have a record.
|
| 00:46:39 | I want a name, McGee!
|
| 00:46:42 | (line disconnects)
He says hi.
|
| 00:46:46 | (horses nickering)
You know, the sun's starting to set.
|
| 00:46:51 | This would be a good place to camp.
|
| 00:46:53 | No, sir.
|
| 00:46:54 | No, sir. I want to keep pushing on.
|
| 00:46:56 | This mountain at night--
the trail starting to narrow, big drop-offs--
You got a tenderfoot.
|
| 00:47:04 | No, we camp.
|
| 00:47:07 | TONY (groaning): Can you get nerve damage
in your buttocks?
|
| 00:47:11 | (groans) You're gonna feel worse in the morning.
|
| 00:47:14 | Don't say that, boss.
|
| 00:47:16 | Beans? GIBBS: Yeah. thanks.
|
| 00:47:18 | Mongo like beans.
|
| 00:47:21 | (chuckles)
Mongo.
|
| 00:47:23 | (growling)
(imitates explosion)
Mongo.
|
| 00:47:27 | Blazing Saddles.
|
| 00:47:29 | mel Brooks-- genius.
|
| 00:47:30 | What the heck is he talking about?
|
| 00:47:34 | TONY: I'm okay.
|
| 00:47:35 | I mean, I'll skip the beans, Sheriff.
|
| 00:47:37 | Thanks for not offering, though.
|
| 00:47:38 | I got an energy bar at the airport, so I'm
good.
|
| 00:47:42 | (horse whinnying)
What time is it in London, DiNozzo?
|
| 00:47:46 | It's 3:00 a.m.
|
| 00:47:47 | Six hours till I can make the call.
|
| 00:47:49 | You gonna be with this agency much longer?
|
| 00:47:53 | (coyote howling)
You get that inheritance,
maybe you think about retiring.
|
| 00:47:57 | (phone ringing)
That's yours.
|
| 00:48:01 | I would get that, boss, but I got
a cramp in my leg.
|
| 00:48:04 | (ringing continues)
(phone beeps on)
Yeah, Gibbs.
|
| 00:48:07 | ZIVA: We played a hunch.
|
| 00:48:08 | If Bart is a professional hit man,
he would be on his way to Arizona
to silence Dina Risi. The woman who knows
too much.
|
| 00:48:14 | ZIVA: We checked all flights from the D.C.
|
| 00:48:15 | area
the last 24 hours, and I think we found something.
|
| 00:48:19 | A corporate jet
filed a flight plan from
Washington Executive Hyde Field to a small
airport
50 miles from Mount Pintos.
|
| 00:48:26 | It landed two hours ago.
|
| 00:48:27 | Whose plane?
|
| 00:48:28 | ZIVA: It's registered to
the Sunset Mining Corporation of Phoenix,
Arizona.
|
| 00:48:31 | Get some sleep. (line disconnects, phone
beeps off)
Ever heard of Sunset Mining?
|
| 00:48:36 | Yeah.
|
| 00:48:37 | Who are they?
|
| 00:48:38 | Just a slick bunch out of Phoenix.
|
| 00:48:40 | They got mines around here or something?
|
| 00:48:42 | Not yet, no.
|
| 00:48:42 | What's that supposed to mean?
|
| 00:48:44 | Negotiating.
|
| 00:48:46 | Negotiating for what?
|
| 00:48:47 | Mineral rights.
|
| 00:48:49 | To an abandoned gold mine.
|
| 00:48:51 | It's a waste of time, though.
|
| 00:48:52 | I got more gold in my mouth
than is in that whole shaft.
|
| 00:48:56 | Dina and her tree huggers, they're fighting
them.
|
| 00:48:58 | Claim that Sunset Mining will rape public
lands.
|
| 00:49:03 | She knows they're not looking for gold.
|
| 00:49:09 | TONY: That's what valley fever is about,
you know.
|
| 00:49:11 | I mean, I'm not afraid of getting it again.
|
| 00:49:12 | It's just that, you know, Arizona is a dangerous
place.
|
| 00:49:15 | Whoa, whoa.
|
| 00:49:16 | And, uh, can we stop soon?
|
| 00:49:19 | Just up ahead.
|
| 00:49:24 | (Tony grunting and groaning)
TONY: Oh! That one hit me where I live.
|
| 00:49:32 | (gunshot)
(gunshot)
Dina, stop shooting.
|
| 00:49:37 | (gun cocking)
This is Sheriff Boyd.
|
| 00:49:50 | How did you find me?
|
| 00:49:53 | I didn't.
|
| 00:49:54 | These Feds did.
|
| 00:49:56 | They're with the Navy.
|
| 00:49:58 | Ncis.
|
| 00:50:00 | Jack Patterson told me not to talk to anyone
but him.
|
| 00:50:04 | Yeah, well, Jack Patterson's dead.
|
| 00:50:10 | I mix my own pigments.
|
| 00:50:13 | As the base of my earth tones,
I use clay
that I found near the old mine.
|
| 00:50:19 | When did you suspect the paint was radioactive?
|
| 00:50:22 | About a month ago.
|
| 00:50:23 | I wasn't feeling well.
|
| 00:50:27 | My doctor ran blood tests.
|
| 00:50:29 | Told me I was exposed to radiation.
|
| 00:50:31 | So that's what made me suspect Sunset Mining
was interested in the mineral rights.
|
| 00:50:37 | Not for gold, but for uranium.
|
| 00:50:40 | You tell anyone?
|
| 00:50:41 | I started asking questions.
|
| 00:50:42 | Thought I was discreet, but, um,
I started getting paranoid.
|
| 00:50:49 | Felt I was being followed.
|
| 00:50:50 | Didn't know who to trust.
|
| 00:50:53 | Called Jack.
|
| 00:50:56 | Patterson told you to send the painting?
|
| 00:50:58 | Yeah.
|
| 00:50:59 | He said he'd have it check out.
|
| 00:51:03 | If the mine is a major source of uranium,
it could be worth billions to Sunset Mining.
|
| 00:51:11 | Worth killing for.
|
| 00:51:13 | How did Jack die?
|
| 00:51:15 | He was shot on his way to see us.
|
| 00:51:17 | We're pretty sure it was a professional hit.
|
| 00:51:20 | It's not safe up here.
|
| 00:51:22 | We got to get down the mountain.
|
| 00:51:23 | Great. Just when I was getting the feeling
back
in my lower extremities.
|
| 00:51:36 | You know, you might want to let go of that
horn, junior.
|
| 00:51:38 | Riding a horse is like making love.
|
| 00:51:40 | You got to relax and enjoy it.
|
| 00:51:42 | Sheriff, I have a strong feeling that you
and I enjoy
both of those activities in really different
ways,
no disrespect. (phone ringing)
(phone beeps on) Yeah. Gibbs.
|
| 00:51:51 | Boss, we've got you on satellite here and
Mtac.
|
| 00:51:53 | You've got company.
|
| 00:51:54 | There's an aircraft moving low over the landscape.
|
| 00:51:56 | What direction? West.
|
| 00:51:58 | ZIVA: It is closing in on you. (horse neighing)
Head for the rocks.
|
| 00:52:02 | What's going on? Go! Move!
|
| 00:52:04 | Move!
|
| 00:52:14 | Hyah!
|
| 00:52:22 | Ahh! Go, DiNozzo!
|
| 00:52:26 | Keep going!
|
| 00:52:27 | Go!
|
| 00:52:35 | The rocks.
|
| 00:52:36 | Take cover.
|
| 00:52:41 | GIBBS: All right.
|
| 00:52:42 | Behind the rocks.
|
| 00:52:43 | TONY: Boss, he's coming back!
|
| 00:52:46 | I'm all right, Gibbs.
|
| 00:52:49 | Get the Henry.
|
| 00:52:50 | It pulls to the right.
|
| 00:52:56 | (gunshots)
(gun clicks empty)
(horse neighing)
(rifle cocking)
Boss, you okay?
|
| 00:53:52 | Boss?!
|
| 00:53:54 | GIBBS: Yeah.
|
| 00:53:56 | I'm fine here.
|
| 00:54:00 | (muttering)
(groans)
Well, take it easy, Sheriff.
|
| 00:54:05 | TONY: Now we've got to round up the horses.
|
| 00:54:07 | How do you do that?
|
| 00:54:15 | Howdy, partner.
|
| 00:54:16 | Welcome back to the fort.
|
| 00:54:18 | I'm surprised you can sit down.
|
| 00:54:20 | (chuckles)
Ah, you humor me, Tim.
|
| 00:54:23 | Hey, that lawyer call?
|
| 00:54:24 | Tony was notified he would be calling at
9:00.
|
| 00:54:27 | That is just a couple minutes away.
|
| 00:54:29 | Yes, it is.
|
| 00:54:31 | How's the sheriff, boss?
|
| 00:54:32 | Oh, he's going to be fine.
|
| 00:54:34 | Driving the nurses nuts.
|
| 00:54:35 | McGEE: Fbi lifted a thumbprint off of his
body.
|
| 00:54:38 | Real name is Jerome Sax.
|
| 00:54:40 | Lived in Oregon. Had a wife and two kids.
|
| 00:54:42 | (phone ringing) Oh.
|
| 00:54:43 | That's my future calling. Excuse me.
|
| 00:54:46 | Yes, Mr. Hubbard.
|
| 00:54:48 | How are you, sir?
|
| 00:54:48 | ZIVA: He was a little league coach, deacon
of his church.
|
| 00:54:51 | Wife thought he was a factory rep
who traveled out of town on company business.
|
| 00:54:54 | So far, Ballistics tie him to four unsolved
murders.
|
| 00:54:58 | They think there'll be more.
|
| 00:54:59 | TONY (laughing): That is unbelievable!
|
| 00:55:02 | Wow!
|
| 00:55:03 | Wow!
|
| 00:55:04 | The Phoenix D.A.'s investigating Sunset Mining.
|
| 00:55:06 | Three executives are expected to be indicted
for the involvement in the death
of Special Agent Patterson, and the mining
scam.
|
| 00:55:13 | Okay, well, thank you very much.
|
| 00:55:15 | Yes, thank you very much.
|
| 00:55:16 | All right. See you, pal.
|
| 00:55:19 | (phone beeps off)
(chuckling)
Did, um, Uncle Clive leave a big estate?
|
| 00:55:25 | (laughing)
Huge!
|
| 00:55:29 | 24 million pounds!
|
| 00:55:33 | Wow.
|
| 00:55:34 | Well, that's over $35 million.
|
| 00:55:37 | Yes! Yes, it is!
|
| 00:55:39 | (Tony chuckling)
Yes, it is!
|
| 00:55:43 | And he left it all to my sniveling cousin
Crispian.
|
| 00:55:48 | I mean,
I'll give you-- granted he did take care
of Uncle Clive
when he was ill, and he gave a very moving
eulogy.
|
| 00:55:55 | Hey, why is the lawyer calling you?
|
| 00:55:59 | Oh, yeah. When I was in college,
I borrowed $10,000 from Uncle Clive,
and, um, I guess
I signed an IOU. I don't really remember
that,
but Crispian says
that he found this document-- said "IOU,"
and that I owe him
that $10,000 plus compounded interest
over the last 20 years.
|
| 00:56:16 | Do you know how much that is, by the way?
|
| 00:56:22 | I am sorry for your loss.
|
| 00:56:28 | Hmm.
|
| 00:56:37 | It's only money.
|
| 00:56:38 | Captioning sponsored byCBS PARAMOUNT NETWORK
Television
Captioned byMedia Access Group at WGBH access.wgbh.org
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